Edited by Ann Martin and Kathryn Holland
Ann R. C. Martin is Assistant Professor at the University of Saskatchewan.
Kathryn Holland is Professor in the English Department at MacEwan University.
Introduction to Interdisciplinary/Multidisciplinary Woolf - Ann Martin and Kathryn Holland Acknowledgments List of Abbreviations PART ONE: History, Materiality, Multiplicity 1. Multidisciplinary Woolf / Multiple Woolfs? - Maggie Humm 2. Woolf, History, Us - Melba Cuddy-Keane 3. “Full of Experiments and Reforms”: Virginia Woolf, John Maynard Keynes, and the Impossibility of Economic Modeling - Alice Keane 4. Desiring Statues and Ambiguous Sexualities in Jacob’s Room - Vara Neverow 5. Challenging the Family Script: Woolf, the Stephen Family, and Victorian Evangelical Theology - Jane de Gay 6. History as Scaffolding: Woolf’s Use of The Times in The Years - Eleanor McNees 7. Vincent van Gogh, Virginia Woolf, and Old Shoes: A Cross-Cultural Iconography of Historical Trauma from the Great War to the Iraq War - Marlene A. Briggs 8. Stopped at the Border: Virginia Woolf and the Criminalization of Dissent in Democratic Societies - J. Ashley Foster 9. “Q. And babies? A. And babies”: On Pacifism, Visual Trauma, and the Body Heap - Conor Tomas Reed 10. Photography, History, and Memoir of the Spanish Civil War: Interdisciplinary Views - Lolly J. Ockerstrom PART TWO: Patterns, Practices, Principles 11. “Waving to Virginia” - Brenda R. Silver 12. Woolf, Defoe, Derrida: Interdisciplinary dogs—or the canine aesthetics and (gender) politics of creativity - Jane Goldman 13. “The law is on the side of the normal”: Virginia Woolf as Crip Theorist - Madelyn Detloff 14. A Healing Centre of One’s Own: Woolf’s Legacy and Public Responses to Child Abuse - Marie Lovrod and Karen Wood 15. Sunflower Suture: Disseminating the Garden in The Years - Elisa Kay Sparks 16. “One Must Be Scientific”: Natural History and Ecology in Mrs. Dalloway - Sarah Dunlap 17. Clarissa’s Glacial Skepticism: John Tyndall and “Deep Time” in Mrs. Dalloway - Catherine W. Hollis 18. Apollonian Illusion and Dionysian Truth in Mrs. Dalloway - Michael J. Horacki PART THREE: Art, Influence, Embodiment 19. “Time has whizzed back an inch or two on its reel”: Relating Virginia Woolf and Emily Carr through Vintage Postcards, Lily Broscoe, Mrs. McNab, and the Cinematic Time of To the Lighthouse - Leslie Kathleen Hankins 20. Speaking Citizen to Citizen in a Time of War: Miss La Trobe’s Use of Parabasis in Her Historical Pageant - Kathleen Wall 21. Work as Salvation: Eureka’s Angel in the House, A Director’s Experience - Charlie Peters 22. Drawing as Thinking: A Visual Response to To the Lighthouse - Sarah Blake 23. Performing Feminism, Transmitting Affect: Isadora Duncan, Virginia Woolf, and the Politics of Movement - Kimberly Engdahl Coates 24. Virginia Woolf and Clarice Lispector: Thinking Back Through Brazilian Mothers - Maria Aparecide de Oliviera 25. Mystical Gibberish or Renegade Discourse?: Poetic Language According to Orlando - Christopher Brown 26. Selves and Others as Narrative Participants in Woolf’s Novels - Kyle Robertson PART FOUR: Publishing, Politics, Publics 27. “The most unaccountable of machinery” : The Orlando Project produces a textbase of one's own - Susan Brown, Patricia Clements, and Isobel Grundy 28. The Hotel at the End of the Universe - Steven D. Putzel 29. Globalization, Inter Connectivity, and Anti-Imperialism: Leonard Woolf, the Hogarth Press, and Kenya - Jeanne Dubino 30. Chinese Eyes and Muddled Armenians: The Hogarth Press and British Racial Discourse - Adam Barrows 31. “No One Wants Biography”: The Hogarth Press Classifies Orlando - Claire Battershill 32. There Goes the Bride: Virginia Woolf, Julia Strachey, and the Hogarth Press - Diane F. Gillespie 33. Redefining Woolf for the 1990s: Producing and Promoting the “Definitive Collected Edition” - Elizabeth Willson Gordon 34. The Believers: Writers Publishing for Readers, Or Preliminary Musings on the Hogarth Press and McSweeney's - Aurelea Mahood 35. The Woolfs in Print and Online: A University Press in Transition - Wayne Chapman Notes on Contributors Conference Program
Size: 229 x 152 mm
Publication: June 1, 2013
Series: Clemson University Press: Woolf Selected Papers