The world-famous French singer Édith Piaf (1915-63) was never just a singer. Dozens of biographies of her, of variable quality, have seldom got beyond the well known and usually contested ‘facts’ of her life. This book suggests new ways of understanding her. A ‘cultural history’ of Piaf means exploring her cultural, social and political significance as a national and international icon, looking at her shifting meanings over time, at home and abroad. How did she become a star and a myth? What did she come to mean in life and in death? At the centenary of her birth and more than fifty years after her passing, why do we still remember her work and commemorate her through the work of others, from Claude Nougaro and Elton John to Ben Harper and Zaz, as well as in films, musicals, documentaries and tribute acts around the world? What does she mean today?
The book proposes the notion of an imagined Piaf. To a large extent, she was her own invention, not only by virtue of her talent but because she produced narratives about herself, building a mystery. But she was also the invention of others: of those she worked with but above all of her audiences, who made their own meanings from her carefully staged performances. Since her death, the world has been free to imagine new Piafs. From the 1930s until today, she has variously embodied conceptions of the ‘popular’ and of ‘chanson’ as a new kind of middlebrow, of gender, sexuality, national identity and the human condition.
David Looseley is Emeritus Professor of Contemporary French Culture at the University of Leeds and the author of Popular Music in Contemporary France: Authenticity, Politics, Debate (Berg, 2003)
Looseley’s enthusiasm for Piaf pervades this book ... This cultural study is written with scrupulous attention to detail and accuracy and has a comprehensive chronology, notes and index.
Cynthia Gamble The Franco-British Society
It is a sharp and profoundly satisfying book, exposing in a sympathetic way the contradictions of the artist as well as the cultural complexities of her persona. this book is sure to become an important reference point for students and scholars of French Studies and Popular Music Studies alike, and an essential blueprint for future French music studies.
Barbara Lebrun Modern & Contemporary France
October 28, 2015