The Ince Blundell Collection of Classical Sculpture
Volume 3 - The Ideal Sculpture
Although most of the works are likely to have been broken when found, in keeping with the taste of the period they were almost all restored. Because of their extensive reworking, the statues are today not simply archaeological specimens but rather, artistic palimpsests that are as much a product of the 18th century as of antiquity. Through them we can learn what antiquarians and collectors of the 18th century—a key period in the development of scientific archaeology as a discipline—thought about antiquity. Steeped in the work of such writers as Alexander Pope, an educated Englishman like Blundell sought a visual expression of a lost past. Restoration played a major role in creating that visual expression, and I pay close attention to the aims and methods by which the Ince restorations advanced an 18th century vision of the “classical.” The image of antiquity formed at this time has continued to exert a profound effect on how we see these pieces today.
The book will be the first to examine the ideal sculpture of Ince Blundell Hall in nearly a century. In so doing it aims to rehabilitate the reputations of a collector and collection that have largely been been ignored by both art-lovers and scholars in post-war Britain.
Elizabeth Bartman was President of the Archaeological Institute of America between 2011-2014 and is a Fellow of the Society of Antiquaries, London, as well as a Fellow of the American Academy in Rome. Elizabeth is also a Paul Mellon Visiting Senior Fellow at the Center for the Advanced Study of the Visual Arts, National Gallery of Art, Washington, DC and a Corresponding Member for the Deutsches Archäologisches Institut.
Size: 313 x 240 mm
400 B&W illustrations
Publication: December 31, 2016