My Compleinte and Other Poems

BookMy Compleinte and Other Poems

My Compleinte and Other Poems

Exeter Medieval Texts and Studies

2001

September 1st, 2001

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Thomas Hoccleve (1368–426) was one of Chaucer’s first disciples and is represented in this book by a selection of his works, newly edited from his own copies and fully annotated. It provides students and other readers new to his work with a very fair indication of his range and achievement as original writer and translator and includes a full Introduction and marginal glosses. It also offers those more familiar with his work a fuller account than has hitherto been available of the manuscripts both of Hoccleve’s own texts and, when he was translating from Latin or French, of his sources. Some of the themes and topics explored, with Hoccleve's light and witty touch, include women (for them or against them); money (always short of it, and as likely as not to be paid in counterfeit coin); isolation and suffering (causes various, but always painful); the pains of hell and the joys of heaven; the serendipitous nature of literary production; the writer as translator, reporter, or even as gossip.

The wealth of detail noticed and reported on by Ellis is absolutely staggering ... It is a serious work, offered by a committed textual scholar who has investigated all the complex issues of authority and transmission ... It allows us to bring into the classroom data about the complex and unique history of textual transformation for Hoccleve's works, a real “behind the scenes” look at medieval authorship and composition ... One thing is certain, the reader will know Hoccleve well as poet, translator and scribe after reading this edition cover to cover, all the way through, as Hoccleve long ago exhorted us to do. Ellis's edition, bursting at the seams with historical, textual and critical detail, a feast of both matter and art, will doubtlessly be a major factor in the renaissance of Hoccleve studies.

The Medieval Review

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Author Information

Roger Ellis is a senior lecturer in English at the University of Cardiff. Since 1987 he has organised conferences on the theory and practice of translation in the Middle Ages and is editor of volumes 1–6 of The Medieval Translator.

Table of Contents

Table of Contents
Section TitlePagePrice
Cover1
Title Page4
Copyright Page5
Contents6
Frontispiece3
Acknowledgements8
Sigla of Manuscripts and Other Abbreviations9
Introduction12
Notes53
Editorial Principles60
A Note on Hoccleve’s Language61
Minor Verse62
I. 'Conpleynte paramont'64
Notes72
II. 'La male regle de T. Hoccleue'75
Notes88
III.'Balade et chanceon. . . a mon meistre H. Somer'90
Notes92
IV.'Balade. . . [pour] mon meistre Robert Chichele'93
Notes98
V. 'Item de beata Virgine'99
Notes103
VI.'L'epistre de Cupide'104
Notes119
VII. The Series124
1. 'My compleinte'126
Notes139
2. 'A dialoge'142
Notes167
3. 'Fabula de quadam imperatrice Romana'171
Notes202
4. 'Ars vtillissima sciendi mori'207
Notes237
5. 'Fabula de quadam muliere mala'245
Notes267
Appendices272
1. The stanzas added to the 'Conpleynte paramont' in the Middle English Pilgrimage of the Soul272
2A. A comparison of the version of Hoccleve's first Gesta narrative with selected Latin and Middle English analogues274
2B. The source of Hoccleve's 'Balade. . . translatee au commandement de. . . Robert Chichele.'279
3. The glosses to 'Ars vtillissima sciendi mori' in S and D281
4. Additional notes on the textual relations of the non-holograph copies of the 'Conpleynte paramont', 'Epistre de Cupide' and the Series285
5. Selected variants from the non-holograph manuscript copies of the texts here edited289
Bibliography298
Editions of texts or selections298
Secondary literature300