Walter Besant

BookWalter Besant

Walter Besant

The Business of Literature and the Pleasures of Reform

Liverpool English Texts and Studies, 76


November 7th, 2019

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In the 1880s and 1890s, Walter Besant was one of Britain’s most lionized living novelists. Like many popular writers of the period, Besant suffered from years of critical neglect. Yet his centrality to Victorian society and culture all but ensured a revival of interest. While literary critics are now rediscovering the more than forty works of fiction that he penned or co-wrote, as part of a more general revaluation of Victorian popular literature, legal scholars have argued that Besant, by advocating for copyright reform, played a crucial role in consolidating a notion of literary property as the exclusive possession of the individuated intellect. For their part, historians have recently shown how Besant – as a prominent philanthropist who campaigned for the cultural vitalization of impoverished areas in east and south London – galvanized late Victorian social reform activities. The expanding corpus of work on Besant, however, has largely kept the domains of authorship and activism, which he perceived as interrelated, conceptually distinct. Analysing the mutually constitutive interplay in Besant’s career between philanthropy and the professionalization of authorship, Walter Besant: The Business of Literature and the Pleasures of Reform highlights their fundamental interconnectedness in this Victorian intellectual polymath’s life and work.

Author Information

Kevin A. Morrison is Distinguished Professor in the School of Foreign Languages at Henan University.

Table of Contents

Table of Contents
Section TitlePagePrice
List of Figures7
List of Contributors9
Introduction: Walter Besant Now13
I Literary Collaborations29
1. Besant and Collaboration31
2. ‘Another like me’: The Literary Partnership of Walter Besant and James Rice51
3. ‘I have altered nothing’: Walter Besant’s Completion of Wilkie Collins’s Blind Love67
II Reforming Authorship85
4. Walter Besant and Copyright Reform87
5. The Author Function in Walter Besant’s Fiction: The Notion of Artistic Value in the Wake of Copyright Law and the Nationalist Restructuring of the Book Trade102
6. Besant, Chatto, and Watt: An Income from Fiction in the 1890s125
7. Workers as Artists: From Copyright to the Palace of Delight in Besant’s Writings143
III Authoring Reforms161
8. Altruism and The Monks of Thelema: Ideals and Realities163
9. The Ethics of Perception and the Politics of Recognition: Walter Besant’s All Sorts and Conditions of Men183
10. From Happy Individuals to Universal Sisterhood: Affective Reforms in All Sorts and Conditions of Men and Children of Gibeon199
IV Literary Relations215
11. Moral Perfectionism, Optatives, and the Inky Line in Besant’s All in a Garden Fair and Gissing’s New Grub Street217
12. Walter Besant: A Latter-Day Dickens?237