House of Usher

BookHouse of Usher

House of Usher

Devil's Advocates

2018

December 18th, 2018

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Evert van Leeuwen is a lecturer in English and American culture at Leiden University.

Despite being the product of Roger Corman’s AIP exploitation studio, House of Usher enjoys a high standing. But while the impact and cult status of Corman’s Edgar Allan Poe cycle is often discussed in histories of gothic, horror, and exploitation cinema, no extended analysis and critical discussion has been published to date that explores specifically the aesthetic appeal of House of Usher. This Devil’s Advocate provides a complete study of the aesthetic appeal of Corman’s influential first Poe picture.
Evert van Leeuwen explores the underlying narrative structure borrowed from Poe’s original story and shows how closely Richard Matheson’s script followed Poe’s theory of short fiction. He goes on to explore the formal techniques of allegory and symbolism employed to represent the house as a monster before focusing on Corman’s imagery, showing how the use of specific camera angles, lenses, colors, and sound effects create and sustain the simultaneously morbid and beautiful atmosphere of gothic decay. Finally, he situates horror icon Vincent Price’s performance as Roderick Usher in the context of the nineteenth-century Romantic misfit and the postwar countercultural antihero, two closely related cultural identities.

Author Information

Evert van Leeuwen is a lecturer in English and American culture at Leiden University.

Table of Contents

Table of Contents
Section TitlePagePrice
Contents6
Introduction8
1. The seeds of Usher: Of Death and the Muse12
2. The Plot of Usher: Rebuilding the House of Poe24
3. The Look of Usher: Picturing a Story of Death46
4. The Usher Siblings: Rebels without a Chance66
Conclusion: The Genre of Usher86
Bibliography/Filmography90