The Devils

BookThe Devils

The Devils

Devil's Advocates

2019

June 25th, 2019

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Darren Arnold is a writer and film critic who has contributed to Sight & Sound, Metro, and Hotdog magazine as well as a number of books on horror cinema.

Undoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.

The Devils is a bold and interesting choice for Devil’s Advocates.

Frames Cinema Journal

Author Information

Darren Arnold is a writer and film critic who has contributed to Sight & Sound, Metro, and Hotdog magazine as well as a number of books on horror cinema.

Table of Contents

Table of Contents
Section TitlePagePrice
Contents6
Introduction8
Synopsis14
1. Historical Context18
2. Authorship and Adaptation32
3. Genre60
4. Themes72
5. Gender and Sexuality82
6. Versions and Censorship90
7. Legacy108
Bibliography115