Poetry & Language Writing

BookPoetry & Language Writing

Poetry & Language Writing

Objective and Surreal

Poetry &..., 2

2007

November 1st, 2007

£85.00
£85.00
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It has been variously labelled ‘Language Poetry’, ‘Language Writing’, ‘L=A=N=G=U=A=G=E writing’ (after the magazine that ran from 1978 to 1981), and ‘language-centred writing’. It has been placed according to its geographical positions, on East or West coasts; its venues in small magazines, independent presses and performance spaces, and its descent from historical precursors, be they the Objectivists, the composers-by-field of the Black Mountain School, the Russian Constructivists or American modernism à la William Carlos Williams and Gertrude Stein. Indeed, one of the few statements that can be made about it with little qualification is that ‘it’ has both fostered and endured a crisis in representation more or less since it first became visible in the 1970s. In Poetry & Language Writing David Arnold grasps the nettle of Language poetry, reassessing its relationship with surrealism and providing a scholarly, intelligent way of understanding the movement. Poets discussed include Charles Bernstein, Susan Howe, Michael Palmer and Barrett Watten.

An important study with an original thesis that is tightly argued…it has much to offer the study of contemporary American poetry.
Robert Sheppard

Robert Sheppard

This is an important book for anyone wanting to think beyond the critical commonplaces often applied to contemporary American poetry. It performs a strenuous argument, and makes some strenuous demands of its reader. But the effort is well worthwhile, highlighting as it does the reader's critical relationship with America's poetics, with the structures of power and radicalism that haunt the American imagination, and with the ethical challenges of over very act of "reading "America.

Journal of American Studies, 43

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Author Information

David Arnold is Senior Lecturer in English Literature at the University of Worcester.

Table of Contents

Table of Contents
Section TitlePagePrice
Title Page3
Contents7
Acknowledgements9
Permissions11
1: The Scholarly Life of Language Writing15
2: Surrealism: An Excommunicated Vessel?33
3: Under the Sign of Negation: William Carlos Williams and Surrealism45
4: The Surreal-O-bjectivist Nexus75
5: Michael Palmer’s Poetics of Witness100
6: Scorch and Scan: The Writing of Susan Howe126
7: ‘Just Rehashed Surrealism’? The Writing of Barrett Watten152
Notes180
Bibliography204
Index211