Works cited
Bachelard, Gaston, 2014 [1964]. The Poetics of Space, trans. Maria Jolas (New York: Penguin).
Botting, Fred, 2002. ‘Aftergothic: Consumption, Machines, and Black Holes’, in The Cambridge Companion to Gothic Fiction, ed. Jerrold E. Hogle (Cambridge: Cambridge University Press), pp. 277–300.
Clover, Carol J., 1992. Men, Women and Chainsaws: Gender in the Modern Horror Film (Princeton: Princeton University Press).
Davies, Ann, 2016. Contemporary Spanish Gothic (Edinburgh: Edinburgh University Press).
Gilbert, Sandra M., and Susan Gubar, 2000. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven: Yale University Press).
Martin, Rebecca E., 1998. ‘“I Should Like to Spend My Whole Life in Reading It”: Repetition and the Pleasure of the Gothic’, Journal of Narrative Technique, 28.1: 75–90.
Monnet, Agnieszka Soltysik, 2015. ‘Body Genres, Night Vision and the Female Monster: REC and the Contemporary Horror Film’, in Monstrous Media/ Spectral Subjects: Imaging Gothic Fictions from the Nineteenth Century to the Present, ed. Fred Botting and Catherine Spooner (Manchester: Manchester University Press), pp. 143–56.
Morgan, Jack, 2002. The Biology of Horror: Gothic Literature and Film (Carbondale: Southern Illinois University Press).
Ng, Andrew Hock Soon, 2015. Women and Domestic Space in Contemporary Gothic Narratives: The House as Subject (New York: Palgrave Macmillan).
Olivares Merino, Julio Ángel, 2011. Jaume Balagueró: en nombre de la oscuridad (Madrid: Akal).
Pueyo, Víctor, 2017. ‘After the End of History: Horror Cinema in Neoliberal Spain (2002–2013)’, in Tracing the Borders of Spanish Horror Cinema and Television, ed. Jorge Marí (New York: Routledge), pp. 141–60.
Punter, David, 1996. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. Vol. 2: The Modern Gothic (Harlow, UK: Pearson Education).
Rose, Mitch, 2006. ‘Gathering “Dreams of Presence”: A Project for the Cultural Landscape’, Environment and Planning D: Society and Space, 24: 537–54.
Wigley, Mark, 1993. The Architecture of Deconstruction: Derrida’s Haunt (Cambridge, MA: MIT Press).
Bachelard, Gaston, 2014 [1964]. The Poetics of Space, trans. Maria Jolas (New York: Penguin).
Botting, Fred, 2002. ‘Aftergothic: Consumption, Machines, and Black Holes’, in The Cambridge Companion to Gothic Fiction, ed. Jerrold E. Hogle (Cambridge: Cambridge University Press), pp. 277–300.
Clover, Carol J., 1992. Men, Women and Chainsaws: Gender in the Modern Horror Film (Princeton: Princeton University Press).
Davies, Ann, 2016. Contemporary Spanish Gothic (Edinburgh: Edinburgh University Press).
Gilbert, Sandra M., and Susan Gubar, 2000. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven: Yale University Press).
Martin, Rebecca E., 1998. ‘“I Should Like to Spend My Whole Life in Reading It”: Repetition and the Pleasure of the Gothic’, Journal of Narrative Technique, 28.1: 75–90.
Monnet, Agnieszka Soltysik, 2015. ‘Body Genres, Night Vision and the Female Monster: REC and the Contemporary Horror Film’, in Monstrous Media/ Spectral Subjects: Imaging Gothic Fictions from the Nineteenth Century to the Present, ed. Fred Botting and Catherine Spooner (Manchester: Manchester University Press), pp. 143–56.
Morgan, Jack, 2002. The Biology of Horror: Gothic Literature and Film (Carbondale: Southern Illinois University Press).
Ng, Andrew Hock Soon, 2015. Women and Domestic Space in Contemporary Gothic Narratives: The House as Subject (New York: Palgrave Macmillan).
Olivares Merino, Julio Ángel, 2011. Jaume Balagueró: en nombre de la oscuridad (Madrid: Akal).
Pueyo, Víctor, 2017. ‘After the End of History: Horror Cinema in Neoliberal Spain (2002–2013)’, in Tracing the Borders of Spanish Horror Cinema and Television, ed. Jorge Marí (New York: Routledge), pp. 141–60.
Punter, David, 1996. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. Vol. 2: The Modern Gothic (Harlow, UK: Pearson Education).
Rose, Mitch, 2006. ‘Gathering “Dreams of Presence”: A Project for the Cultural Landscape’, Environment and Planning D: Society and Space, 24: 537–54.
Wigley, Mark, 1993. The Architecture of Deconstruction: Derrida’s Haunt (Cambridge, MA: MIT Press).
Filmography
La cara oculta/ The Hidden Face. 2011, dir. Andrés Baiz (Avalon; Cactus Flower; Dynamo; FIP).
Darkness. 2002, dir. Jaume Balagueró (Castelao Producciones; Dimension Films; Fantastic Factory; Filmax; Via Digital).
Frágiles/ Fragile. 2005, dir. Jaume Balagueró (Castelao Producciones; Future Films; Just Films).
Mientras duermas/ Sleep Tight. 2011, dir. Jaume Balagueró (Castelao Producciones; Coser y Cantar; Cubica; Filmax; ICIC; ICAA; Canal+ España; TV3, TVE).
NO-DO/ The Haunting. 2009, dir. Elio Quiroga (Eqlipse Producciones Cinematográficas).
Los ojos de Julia/ Julia’s Eyes, 2011, dir. Guillem Morales (Antena 3 Films; Canal+ España; Catalan Films & TV; ICIC; ICAA; Mesfilms; Rodar y Rodar; TV3, Universal Pictures).
El orfanato/ The Orphanage. 2007, dir. J. A. Bayona (Esta Vivo; Grupo Rodar; Rodar y Rodar; Telecinco; TV3; Warner; Wild Bunch).
The Others/ Los otros. 2001, dir. Alejandro Amenábar (Cruise/Wagner; Sogecine; Las Producciones del Escorpión).
Para entrar a vivir/ To Let. 2006, dir. Jaume Balagueró (Estudios Picasso; Filmax; Telecinco; ICIC; Castelao Productions).
[REC]. 2007, dir. Jaume Balagueró, Paco Plaza (Castelao Producciones; Filmax; ICAA; IDO; ICF; ICIC; TVE; Canal+ España).
[REC]2. 2009, dir. Jaume Balagueró, Paco Plaza (Filmax; TVE; Canal+ España; Castelao; ICIC; ICO).
[REC]4: Apocalypse. 2014, dir. Jaume Balagueró, Paco Plaza (Filmax; TVE; Canal+ España; Castelao; ICIC; ICO).
Los sin nombre/ The Nameless. 1999, dir. Jaume Balagueró (Filmax; P. C. Joan Ginard).
La cara oculta/ The Hidden Face. 2011, dir. Andrés Baiz (Avalon; Cactus Flower; Dynamo; FIP).
Darkness. 2002, dir. Jaume Balagueró (Castelao Producciones; Dimension Films; Fantastic Factory; Filmax; Via Digital).
Frágiles/ Fragile. 2005, dir. Jaume Balagueró (Castelao Producciones; Future Films; Just Films).
Mientras duermas/ Sleep Tight. 2011, dir. Jaume Balagueró (Castelao Producciones; Coser y Cantar; Cubica; Filmax; ICIC; ICAA; Canal+ España; TV3, TVE).
NO-DO/ The Haunting. 2009, dir. Elio Quiroga (Eqlipse Producciones Cinematográficas).
Los ojos de Julia/ Julia’s Eyes, 2011, dir. Guillem Morales (Antena 3 Films; Canal+ España; Catalan Films & TV; ICIC; ICAA; Mesfilms; Rodar y Rodar; TV3, Universal Pictures).
El orfanato/ The Orphanage. 2007, dir. J. A. Bayona (Esta Vivo; Grupo Rodar; Rodar y Rodar; Telecinco; TV3; Warner; Wild Bunch).
The Others/ Los otros. 2001, dir. Alejandro Amenábar (Cruise/Wagner; Sogecine; Las Producciones del Escorpión).
Para entrar a vivir/ To Let. 2006, dir. Jaume Balagueró (Estudios Picasso; Filmax; Telecinco; ICIC; Castelao Productions).
[REC]. 2007, dir. Jaume Balagueró, Paco Plaza (Castelao Producciones; Filmax; ICAA; IDO; ICF; ICIC; TVE; Canal+ España).
[REC]2. 2009, dir. Jaume Balagueró, Paco Plaza (Filmax; TVE; Canal+ España; Castelao; ICIC; ICO).
[REC]4: Apocalypse. 2014, dir. Jaume Balagueró, Paco Plaza (Filmax; TVE; Canal+ España; Castelao; ICIC; ICO).
Los sin nombre/ The Nameless. 1999, dir. Jaume Balagueró (Filmax; P. C. Joan Ginard).