Works cited
Armitt, Lucie (ed.), 1991. Where No Man has Gone Before: Women and Science Fiction (Padstow: TJ International).
Atwood, Margaret, 1985. The Handmaid’s Tale (Toronto: McLelland and Stewart).
Atwood, Margaret, 2017. ‘Margaret Atwood on What “The Handmaid’s Tale” Means in the Age of Trump’, The New York Times, 10 March. Available at: >https://www.nytimes.com/2017/03/10/books/review/margaret-atwood-handmaids-tale-age-of-trump.html> [accessed 2 April 2019].
Balaguer, María Luisa, 2017. Hij@s del mercado. La maternidad subrogada en un Estado social (Madrid: Cátedra/ Universitat de València).
Ball, Philip, 2012. Contra natura. Sobre la idea de crear seres humanos (Madrid: Turner).
Barceló, Elia, 2014. ‘2084. Después de la revolución’, in Mañana todavía. Doce distopías para el siglo XXI, ed. Ricard Ruiz Garzón (Barcelona: Fantascy), pp. 75–128.
Barr, Marleen S., 1993. ‘Suzy McKee Charnas, Zoë Fairbairns, Katherine Marcuse, and Kate Wilhelm Blur. Generic Conventions: Pregnancy and Power in Feminist Science Fiction’, in Lost in Space: Probing Feminist Science Fiction and Beyond (Chapel Hill: University of North Carolina Press), pp. 81–94.
Burdekin, Katharine, 1937. Swastika Night (London: Victor Gollancz).
Bustelo, Gabriela, 2001. Planeta hembra (Barcelona: RBA).
Charnas, Suzy McKee, 1974. Walk to the End of the World (New York: Ballantine).
DasGupta, Sayantani. 2010. ‘(Re)conceiving the Surrogate: Maternity, Race, and Reproductive Technologies in Alfonso Cuarón’s Children of Men’, in Gender Scripts in Medicine and Narrative, ed. Marcelline Block and Angela Laften (Newcastle on Tyne: Cambridge Scholars Publishing), pp. 178–211.
Davis, Marie Louis, 1995. ‘Sexuality and Reproduction in Dystopian Fiction’, Master’s thesis, McMaster University.
Desmet, Fran, 2010. ‘Female Perspectives in Dystopian Novels’, Master’s thesis, Ghent University.
DeStefano, Lauren, 2011–2013. Chemical Garden. 3-book series. (New York: Simon Schuster).
Ewing, Amy, 2014–2016. The Lone City (London: Walker Books).
Fernández-Lamarque, María, 2016. Espacios modernos en la literatura latinoamericana contemporánea: distopías y heterotopías (Buenos Aires and Los Angeles: Argus).
Ferrús, Beatriz, 2016. ‘Fruta podrida. La escritura descompuesta de Lina Meruane’, Rassegna Iberistica, 39.106: 325–36. Available at: >http://edizionicafoscari.unive.it/media/pdf/article/rassegna-iberistica/2016/106/fruta-podrida/art-10.14277-2037-6588-Ri-39-106-16-6.pdf> [accessed 2 April 2019].
Firestone, Shulamith, 1970. The Dialectic of Sex (New York: William Morrow).
Fresnillo, Olga, 1993. ‘Feliz advenimiento’, Ciencia y Desarrollo, 108: Available at: >http://cfm.mx/?cve=631:69> [accessed 2 April 2019].
Haraway, Donna, 1991. Simians, Cyborgs, and Women. The Reinvention of Nature (New York: Routledge).
Kaplan, E. Anna, and Susan M. Squier (eds), 1999. Playing Dolly: Technocultural Formations, Fantasies and Fictions of Assisted Reproduction (New Brunswick: Rutgers University Press).
Lefanu, Sarah, 1988. In the Chinks of the World Machine: Feminism and Science Fiction (London: The Women’s Press).
Marchena, Gemma, 2016. ‘La granja de sucedáneos’. [Blog – Biblioteca de relatos.] Available at: >http://archivorelatos.blogspot.com.es/2016/07/la-granja-de-sucedaneos-de-gemma.html> [accessed 2 April 2019].
Meruane, Lina, 2007. Fruta podrida (Santiago de Chile: Fondo de Cultura Económica).
Meruane, Lina, 2014. Contra los hijos (México: Tumbona).
Mohr, Dunja M., 2005. Worlds Apart: Dualism and Transgression in Contemporary Female Dystopias (Jefferson: McFarland).
O’Neill, Louise, 2014. Only Ever Yours (London: Riverrun).
Patai, Daphne, 1985. ‘Introduction’, in Swastika Night, by Katharine Burdekin (New York: Feminist Press), pp. iii–xv.
Perkins Gilman, Charlotte, 1979 [1915]. Herland (New York: Pantheon Books [The Forerunner magazine]).
Piercy, Marge, 1976. Woman on the Edge of Time (New York: Alfred A. Knopf).
Reati, Fernando, 2006. Postales del porvenir. La literatura de anticipación en la Argentina neoliberal, 1985–1999 (Buenos Aires: Biblos).
Rich, Adrienne, 1980. ‘Compulsory Heterosexuality and Lesbian Existence’, Journal of Women’s History, 15.3: 11–48.
Rich, Adrienne, 1986. Of Woman Born. Motherhood as Experience and Institution (New York: W. W. Norton).
Salazar, Claudia, 2016. ‘Cyber-proletaria’, in Las otras. Antología de mujeres artificiales, ed. Teresa López-Pellisa (New York: DíazGrey), pp. 152–57.
Sarto, Ana del, 2012. ‘Los efectos en los estudios culturales latinoamericanos. Cuerpos y subjetividades en Ciudad Juárez’, Cuadernos de Literatura, 32: 41–68.
Segato, Rita Laura, 2016. La guerra contra las mujeres (Madrid: Traficantes de sueños).
Sibilia, Paula, 2009. El hombre postorgánico. Cuerpo, subjetividad y tecnología digitales (Buenos Aires: Fondo de Cultura Económica).
Sinisalo, Johanna, 2016 [2013]. The Core of the Sun, trans. from the Finnish by Lola Rogers (New York: Grove Press, Black Cat).
Stolcke, Verena, 1998. ‘El sexo de la biotecnología’, Revista de Estudios Feministas, 6.1.
Vassallo, Clare, Victor Grech and Ivan Callus, 2017. ‘Infertility in Science Fiction as a Feminist Issue’, Science Fiction Research Association Review, 319: 4–9. Available at: >http://www.sfra.org/resources/Pictures/SFRA%20319.pdf> [accessed 2 April 2019].
Walst, Simone Fenna, 2015. ‘Ficciones patológicas: la enfermedad y el cuerpo enfermo en Fruta podrida (2007) y Sangre en el ojo (2012) de Lina Meruane’, Revista Estudios, 31.2: 1–18. Available at >https://revistas.ucr.ac.cr/index.php/estudios/article/view/22670/24158> [accessed 2 April 2019].
Wilhelm, Kate, 1976. Where Late the Sweet Birds Sang (New York: Harper & Row).
Armitt, Lucie (ed.), 1991. Where No Man has Gone Before: Women and Science Fiction (Padstow: TJ International).
Atwood, Margaret, 1985. The Handmaid’s Tale (Toronto: McLelland and Stewart).
Atwood, Margaret, 2017. ‘Margaret Atwood on What “The Handmaid’s Tale” Means in the Age of Trump’, The New York Times, 10 March. Available at: >https://www.nytimes.com/2017/03/10/books/review/margaret-atwood-handmaids-tale-age-of-trump.html> [accessed 2 April 2019].
Balaguer, María Luisa, 2017. Hij@s del mercado. La maternidad subrogada en un Estado social (Madrid: Cátedra/ Universitat de València).
Ball, Philip, 2012. Contra natura. Sobre la idea de crear seres humanos (Madrid: Turner).
Barceló, Elia, 2014. ‘2084. Después de la revolución’, in Mañana todavía. Doce distopías para el siglo XXI, ed. Ricard Ruiz Garzón (Barcelona: Fantascy), pp. 75–128.
Barr, Marleen S., 1993. ‘Suzy McKee Charnas, Zoë Fairbairns, Katherine Marcuse, and Kate Wilhelm Blur. Generic Conventions: Pregnancy and Power in Feminist Science Fiction’, in Lost in Space: Probing Feminist Science Fiction and Beyond (Chapel Hill: University of North Carolina Press), pp. 81–94.
Burdekin, Katharine, 1937. Swastika Night (London: Victor Gollancz).
Bustelo, Gabriela, 2001. Planeta hembra (Barcelona: RBA).
Charnas, Suzy McKee, 1974. Walk to the End of the World (New York: Ballantine).
DasGupta, Sayantani. 2010. ‘(Re)conceiving the Surrogate: Maternity, Race, and Reproductive Technologies in Alfonso Cuarón’s Children of Men’, in Gender Scripts in Medicine and Narrative, ed. Marcelline Block and Angela Laften (Newcastle on Tyne: Cambridge Scholars Publishing), pp. 178–211.
Davis, Marie Louis, 1995. ‘Sexuality and Reproduction in Dystopian Fiction’, Master’s thesis, McMaster University.
Desmet, Fran, 2010. ‘Female Perspectives in Dystopian Novels’, Master’s thesis, Ghent University.
DeStefano, Lauren, 2011–2013. Chemical Garden. 3-book series. (New York: Simon Schuster).
Ewing, Amy, 2014–2016. The Lone City (London: Walker Books).
Fernández-Lamarque, María, 2016. Espacios modernos en la literatura latinoamericana contemporánea: distopías y heterotopías (Buenos Aires and Los Angeles: Argus).
Ferrús, Beatriz, 2016. ‘Fruta podrida. La escritura descompuesta de Lina Meruane’, Rassegna Iberistica, 39.106: 325–36. Available at: >http://edizionicafoscari.unive.it/media/pdf/article/rassegna-iberistica/2016/106/fruta-podrida/art-10.14277-2037-6588-Ri-39-106-16-6.pdf> [accessed 2 April 2019].
Firestone, Shulamith, 1970. The Dialectic of Sex (New York: William Morrow).
Fresnillo, Olga, 1993. ‘Feliz advenimiento’, Ciencia y Desarrollo, 108: Available at: >http://cfm.mx/?cve=631:69> [accessed 2 April 2019].
Haraway, Donna, 1991. Simians, Cyborgs, and Women. The Reinvention of Nature (New York: Routledge).
Kaplan, E. Anna, and Susan M. Squier (eds), 1999. Playing Dolly: Technocultural Formations, Fantasies and Fictions of Assisted Reproduction (New Brunswick: Rutgers University Press).
Lefanu, Sarah, 1988. In the Chinks of the World Machine: Feminism and Science Fiction (London: The Women’s Press).
Marchena, Gemma, 2016. ‘La granja de sucedáneos’. [Blog – Biblioteca de relatos.] Available at: >http://archivorelatos.blogspot.com.es/2016/07/la-granja-de-sucedaneos-de-gemma.html> [accessed 2 April 2019].
Meruane, Lina, 2007. Fruta podrida (Santiago de Chile: Fondo de Cultura Económica).
Meruane, Lina, 2014. Contra los hijos (México: Tumbona).
Mohr, Dunja M., 2005. Worlds Apart: Dualism and Transgression in Contemporary Female Dystopias (Jefferson: McFarland).
O’Neill, Louise, 2014. Only Ever Yours (London: Riverrun).
Patai, Daphne, 1985. ‘Introduction’, in Swastika Night, by Katharine Burdekin (New York: Feminist Press), pp. iii–xv.
Perkins Gilman, Charlotte, 1979 [1915]. Herland (New York: Pantheon Books [The Forerunner magazine]).
Piercy, Marge, 1976. Woman on the Edge of Time (New York: Alfred A. Knopf).
Reati, Fernando, 2006. Postales del porvenir. La literatura de anticipación en la Argentina neoliberal, 1985–1999 (Buenos Aires: Biblos).
Rich, Adrienne, 1980. ‘Compulsory Heterosexuality and Lesbian Existence’, Journal of Women’s History, 15.3: 11–48.
Rich, Adrienne, 1986. Of Woman Born. Motherhood as Experience and Institution (New York: W. W. Norton).
Salazar, Claudia, 2016. ‘Cyber-proletaria’, in Las otras. Antología de mujeres artificiales, ed. Teresa López-Pellisa (New York: DíazGrey), pp. 152–57.
Sarto, Ana del, 2012. ‘Los efectos en los estudios culturales latinoamericanos. Cuerpos y subjetividades en Ciudad Juárez’, Cuadernos de Literatura, 32: 41–68.
Segato, Rita Laura, 2016. La guerra contra las mujeres (Madrid: Traficantes de sueños).
Sibilia, Paula, 2009. El hombre postorgánico. Cuerpo, subjetividad y tecnología digitales (Buenos Aires: Fondo de Cultura Económica).
Sinisalo, Johanna, 2016 [2013]. The Core of the Sun, trans. from the Finnish by Lola Rogers (New York: Grove Press, Black Cat).
Stolcke, Verena, 1998. ‘El sexo de la biotecnología’, Revista de Estudios Feministas, 6.1.
Vassallo, Clare, Victor Grech and Ivan Callus, 2017. ‘Infertility in Science Fiction as a Feminist Issue’, Science Fiction Research Association Review, 319: 4–9. Available at: >http://www.sfra.org/resources/Pictures/SFRA%20319.pdf> [accessed 2 April 2019].
Walst, Simone Fenna, 2015. ‘Ficciones patológicas: la enfermedad y el cuerpo enfermo en Fruta podrida (2007) y Sangre en el ojo (2012) de Lina Meruane’, Revista Estudios, 31.2: 1–18. Available at >https://revistas.ucr.ac.cr/index.php/estudios/article/view/22670/24158> [accessed 2 April 2019].
Wilhelm, Kate, 1976. Where Late the Sweet Birds Sang (New York: Harper & Row).
Filmography
Alien: Resurrection. 1997, dir. Jean-Pierre Jeunet (Brandywine Productions; Twentieth Century Fox).
The Boys from Brazil. 1978, dir. Franklin J. Schaffner (Sir Lew Grade; Producers’ Circle; ITC Films).
Children of Men. 2006, dir. Alfonso Cuarón (Universal Pictures; Strike Entertainment).
Gattaca. 1997, dir. Andrew Niccol (Columbia Pictures; Jersey Films).
The Handmaid’s Tale. 2017–, TV Series, creator Bruce Miller (MGM Television).
The Island. 2005, dir. Michael Bay (Dreamworks; Warner; Parkes+MacDonald Image Nation).
The Lottery. 2014–, dir. Larry Yust (Landsburg; Picture Entertainment).
Never Let me Go. 2010, dir. Mark Romanek (DNA Films; Film4; Fox Searchlight).
Utopia. 2013–2014, TV Series, creator Dennis Kelly (Kudos Film and Television).
Alien: Resurrection. 1997, dir. Jean-Pierre Jeunet (Brandywine Productions; Twentieth Century Fox).
The Boys from Brazil. 1978, dir. Franklin J. Schaffner (Sir Lew Grade; Producers’ Circle; ITC Films).
Children of Men. 2006, dir. Alfonso Cuarón (Universal Pictures; Strike Entertainment).
Gattaca. 1997, dir. Andrew Niccol (Columbia Pictures; Jersey Films).
The Handmaid’s Tale. 2017–, TV Series, creator Bruce Miller (MGM Television).
The Island. 2005, dir. Michael Bay (Dreamworks; Warner; Parkes+MacDonald Image Nation).
The Lottery. 2014–, dir. Larry Yust (Landsburg; Picture Entertainment).
Never Let me Go. 2010, dir. Mark Romanek (DNA Films; Film4; Fox Searchlight).
Utopia. 2013–2014, TV Series, creator Dennis Kelly (Kudos Film and Television).