Alberti, Rafael y León Ferrari, 1964. Escrito en el aire (Milano: All’insegna del pesce d’oro).
Escrito en el aire
Alfabeti della mente. Alphabets of the Mind, 2011, ed. Angela Madesani (Bologna: P420 galleria. Arte contemporanea e libri). Available at: http://www.comunicati.net/comunicati/arte/varie/ 183397.html [accessed 12 January 2016].
Architecture of Madnesss – Arquitecturas de la locura. 2002, dir. Gabriela Salgado and Ricardo Pons. (University of Essex Collection of Latin American Art).
Barthes, Roland, 1973. Le Plaisir du texte (Paris: Editions du Seuil).
Le Plaisir du texte
Barthes, Roland, 2002. Variaciones sobre la escritura (Barcelona and Buenos Aires: Paidós).
Variaciones sobre la escritura
Bryson, Norman, 1981. Word and Image. French Painting of the Ancien Régime (Cambridge, UK: Cambridge University Press).
Word and Image. French Painting of the Ancien Régime
Buckland, Rosina, 2010. Shunga: Erotic Art in Japan (London: British Museum Press).
Shunga: Erotic Art in Japan
Camnitzer, Luis, 2006. ‘Lettering, Latrines and Literati’, in León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo, Brazil: Cosac Naify), pp. 384–86.
Lettering, Latrines and Literati
León Ferrari. Retrospectiva. Obras 1954–2006
384
86
Derrida, Jacques, 1976. Of Grammatology, trans. Gayatri Chakravorty Spivak (Baltimore, MD and London: The Johns Hopkins University Press).
Of Grammatology
Drucker, Johanna, 1994. The Visible Word. Experimental Typography and Modern Art, 1909–1923 (Chicago, IL: Chicago University Press).
The Visible Word. Experimental Typography and Modern Art, 1909–1923
Dworkin, Craig, 2011. ‘The Fate of Echo’, in Against Expression. An Anthology of Conceptual Writing, ed. Craig Dworkin and Kenneth Goldsmith (Evanston, IL: Northwestern University Press).
The Fate of Echo
Against Expression. An Anthology of Conceptual Writing
Epplin, Craig, 2012. ‘Concrete Scrawls. The Wires and Words of Leon Ferrari’, Third Text, 26.6 (November): 713–28.
Concrete Scrawls. The Wires and Words of Leon Ferrari
Third Text
26.6
713
28
Ferrari, León, 1999. ‘On Judgments and Excrement’, in Cantos paralelos. La parodia plástica en el arte argentino contemporáneo (Buenos Aires: Fondo Nacional de las Artes).
On Judgments and Excrement
Cantos paralelos. La parodia plástica en el arte argentino contemporáneo
Ferrari, León, 2000. La bondadosa crueldad (Buenos Aires: Argonauta).
La bondadosa crueldad
Ferrari, León, 2005.Prosa política (Buenos Aires: Siglo XXI).
Prosa política
Ferrari, León, 2006. León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo: Cosac Naify/ Imprensa Oficial).
León Ferrari. Retrospectiva. Obras 1954–2006
Ferrari, León, 2008a. ‘Contra el infierno’, in León Ferrari. Obras/Works 1976–2008 (México DF: Instituto Nacional de Bellas Artes), 99.
Contra el infierno
León Ferrari. Obras/Works 1976–2008
99
Ferrari, León, 2008b. Entrevista con Adriana Malvido, in León Ferrari. Obras/Works 1976–2008 (México DF: Inst. Nacional de Bellas Artes), pp. 46–52.
Entrevista con Adriana Malvido
León Ferrari. Obras/Works 1976–2008
46
52
Ferrari, León, 2008c [1988]. Imagens (Sao Paulo: Ed. Licopodio [Ediçoes Exu]).
Imagens
Ferrari, León, 2008d [1967]. Palabras ajenas (Buenos Aires: Ed. Licopodio).
Palabras ajenas
Ferrari, León, 2008e. León Ferrari: Todavía quedan muchos creyentes que convencer. Una charla con Fernando García (Buenos Aires: Capital Intelectual).
León Ferrari: Todavía quedan muchos creyentes que convencer. Una charla con Fernando García
Giunta, Andrea, 2006. ‘Chronology’, en León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo, Brazil: Cosac Naify/ Imprensa Oficial), pp. 394–422.
Chronology
León Ferrari. Retrospectiva. Obras 1954–2006
394
422
Giunta, Andrea, 2008a. El caso Ferrari (Buenos Aires: Ed. Licopodio).
El caso Ferrari
Giunta, Andrea, 2008b. ‘Lines, Plans, and Sound-Drawing: León Ferrari, Sao Paulo, 1979–1986’, in León Ferrari Obras/Works 1976– 2008 (México DF: Inst. Nacional de Bellas Artes), 62–76.
Lines, Plans, and Sound-Drawing: León Ferrari, Sao Paulo, 1979–1986
León Ferrari Obras/Works 1976–
62
76
Giunta, Andrea, 2013. ‘Cronología’. [Online – León Ferrari website.] Available at: http://www.leonferrari.com.ar [accessed 30 August 2013].
Harris, Roy, 1995. Signs of Writing (London: Routledge).
Signs of Writing
Jameson, Fredric, 1972. The Prison-House of Language (Princeton, NJ: Princeton University Press).
The Prison-House of Language
Jauss, Hans Robert, 1982. ‘Poiesis: The Productive Side of Aesthetic Experience (Construire et Connaître)’, in Aesthetic Experience and Literary Hermeneutics (Minneapolis: University of Minnesota Press).
Poiesis: The Productive Side of Aesthetic Experience (Construire et Connaître)
Aesthetic Experience and Literary Hermeneutics
Lacan, Jacques, 1988. ‘The Insistence of the Letter in the Unconscious’, in Modern Criticism and Theory. A Reader, ed. David Lodge (London: Longman House), 80–106.
The Insistence of the Letter in the Unconscious
Modern Criticism and Theory. A Reader
80
106
Link, Daniel, 2012. ‘León Ferrari, la experiencia exterior’, in León Ferrari. Brailles y Relecturas de la Biblia. (Buenos Aires: MALBA), 11–26.
León Ferrari, la experiencia exterior
León Ferrari. Brailles y Relecturas de la Biblia
11
26
Magritte, René, 1929. ‘Les Mots et les images’, La Révolution surrealiste, 12: 32.
Les Mots et les images
La Révolution surrealiste
12
32
Mallarmé, Stéphane, 1951. Œuvres Complètes (Paris: Gallimard).
Œuvres Complètes
Morley, Simon, 2003. Writing on the Wall. Word and Image in Modern Art (London: Thames & Hudson).
Writing on the Wall. Word and Image in Modern Art
Olea, Héctor, 2000. ‘El poetar dibujante de León Ferrari’, in Heterotopías. Medio siglo sin lugar: 1918–1968, 391–98. Madrid: Museo Nacional Centro de Arte Reina Sofía.
El poetar dibujante de León Ferrari
Heterotopías. Medio siglo sin lugar: 1918–1968
391
98
Pérez-Oramas, Luis, 2009. ‘León Ferrari and Mira Schendel: Tangled Alphabets’, in León Ferrari and Mira Schendel: Tangled Alphabets (New York: MOMA), 12–45.
León Ferrari and Mira Schendel: Tangled Alphabets
León Ferrari and Mira Schendel: Tangled Alphabets
12
45
Playboy Magazine, 1969. The Playboy Interview: Marshall McLuhan, March. [Online – versión edited by Phillip Rogaway.] Available at: http://www.cs.ucdavis.edu/~rogaway/classes/188/spring07/mcluhan.pdf [accessed 4 August 2013].
Ramírez, Mari Carmen, 1999. ‘Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960–1980’, in Global Conceptualism: Points of Origin, 1950s–1980s (New York: The Queens Museum of Art), pp. 53–71.
Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960–1980
Global Conceptualism: Points of Origin, 1950s–1980s
53
71
Ramírez, Mari Carmen, Marcelo Eduardo Pacheco and Andrea Giunta and Jack S. Blanton, 1999. Cantos paralelos. La parodia plástica en el arte argentino contemporáneo (Austen, TX: Jack S. Blanton Museum of Art and Buenos Aires: Fondo Nacional de las Artes).
Cantos paralelos. La parodia plástica en el arte argentino contemporáneo
Rancière. Jacques, 2004. The Politics of Aesthetics: The Distribution of the Sensible, trans. Gabriel Rockhill, Afterword by Slavoj Zizek (London: Continuum).
The Politics of Aesthetics: The Distribution of the Sensible
Rancière. Jacques, 2007. The Future of the Image, trans. Gregory Elliott (London and New York: Verso).
The Future of the Image
Réquichot, Bernard, 2002. Ecrits divers. Journal – lettres – textes épars – Faustus – poèmes, 1951–1961 (Toulouse, France: Presses du réel).
Ecrits divers. Journal – lettres – textes
Ricoeur, Paul, 1977. The Rule of Metaphor (Toronto, Canada: University of Toronto Press).
The Rule of Metaphor
Ulmer, Gregory L., 1985. Applied Grammatology. Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys (Baltimore, MD and London: The Johns Hopkins University Press).
Applied Grammatology. Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys
Wilson, Ian, 1999. ‘Conceptual Art’, in Conceptual Art: A Critical Anthology, ed. Alexander Alberro and Blake Stimson (Cambridge, MA and London: The MIT Press), p. 414.
Conceptual Art
Conceptual Art: A Critical Anthology
414
Yurkievich, Saúl, 1997. Suma crítica (México D.F.: FCE).
Suma crítica
Zito Lema, Vicente, 1998. ‘León Ferrari: Aprovecho la libertad para expresar mis ideas’, La Maga, 339: 34–35.
León Ferrari: Aprovecho la libertad para expresar mis ideas
La Maga
339
34
35
Alberti, Rafael y León Ferrari, 1964. Escrito en el aire (Milano: All’insegna del pesce d’oro).
Escrito en el aire
Alfabeti della mente. Alphabets of the Mind, 2011, ed. Angela Madesani (Bologna: P420 galleria. Arte contemporanea e libri). Available at: http://www.comunicati.net/comunicati/arte/varie/ 183397.html [accessed 12 January 2016].
Architecture of Madnesss – Arquitecturas de la locura. 2002, dir. Gabriela Salgado and Ricardo Pons. (University of Essex Collection of Latin American Art).
Barthes, Roland, 1973. Le Plaisir du texte (Paris: Editions du Seuil).
Le Plaisir du texte
Barthes, Roland, 2002. Variaciones sobre la escritura (Barcelona and Buenos Aires: Paidós).
Variaciones sobre la escritura
Bryson, Norman, 1981. Word and Image. French Painting of the Ancien Régime (Cambridge, UK: Cambridge University Press).
Word and Image. French Painting of the Ancien Régime
Buckland, Rosina, 2010. Shunga: Erotic Art in Japan (London: British Museum Press).
Shunga: Erotic Art in Japan
Camnitzer, Luis, 2006. ‘Lettering, Latrines and Literati’, in León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo, Brazil: Cosac Naify), pp. 384–86.
Lettering, Latrines and Literati
León Ferrari. Retrospectiva. Obras 1954–2006
384
86
Derrida, Jacques, 1976. Of Grammatology, trans. Gayatri Chakravorty Spivak (Baltimore, MD and London: The Johns Hopkins University Press).
Of Grammatology
Drucker, Johanna, 1994. The Visible Word. Experimental Typography and Modern Art, 1909–1923 (Chicago, IL: Chicago University Press).
The Visible Word. Experimental Typography and Modern Art, 1909–1923
Dworkin, Craig, 2011. ‘The Fate of Echo’, in Against Expression. An Anthology of Conceptual Writing, ed. Craig Dworkin and Kenneth Goldsmith (Evanston, IL: Northwestern University Press).
The Fate of Echo
Against Expression. An Anthology of Conceptual Writing
Epplin, Craig, 2012. ‘Concrete Scrawls. The Wires and Words of Leon Ferrari’, Third Text, 26.6 (November): 713–28.
Concrete Scrawls. The Wires and Words of Leon Ferrari
Third Text
26.6
713
28
Ferrari, León, 1999. ‘On Judgments and Excrement’, in Cantos paralelos. La parodia plástica en el arte argentino contemporáneo (Buenos Aires: Fondo Nacional de las Artes).
On Judgments and Excrement
Cantos paralelos. La parodia plástica en el arte argentino contemporáneo
Ferrari, León, 2000. La bondadosa crueldad (Buenos Aires: Argonauta).
La bondadosa crueldad
Ferrari, León, 2005.Prosa política (Buenos Aires: Siglo XXI).
Prosa política
Ferrari, León, 2006. León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo: Cosac Naify/ Imprensa Oficial).
León Ferrari. Retrospectiva. Obras 1954–2006
Ferrari, León, 2008a. ‘Contra el infierno’, in León Ferrari. Obras/Works 1976–2008 (México DF: Instituto Nacional de Bellas Artes), 99.
Contra el infierno
León Ferrari. Obras/Works 1976–2008
99
Ferrari, León, 2008b. Entrevista con Adriana Malvido, in León Ferrari. Obras/Works 1976–2008 (México DF: Inst. Nacional de Bellas Artes), pp. 46–52.
Entrevista con Adriana Malvido
León Ferrari. Obras/Works 1976–2008
46
52
Ferrari, León, 2008c [1988]. Imagens (Sao Paulo: Ed. Licopodio [Ediçoes Exu]).
Imagens
Ferrari, León, 2008d [1967]. Palabras ajenas (Buenos Aires: Ed. Licopodio).
Palabras ajenas
Ferrari, León, 2008e. León Ferrari: Todavía quedan muchos creyentes que convencer. Una charla con Fernando García (Buenos Aires: Capital Intelectual).
León Ferrari: Todavía quedan muchos creyentes que convencer. Una charla con Fernando García
Giunta, Andrea, 2006. ‘Chronology’, en León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo, Brazil: Cosac Naify/ Imprensa Oficial), pp. 394–422.
Chronology
León Ferrari. Retrospectiva. Obras 1954–2006
394
422
Giunta, Andrea, 2008a. El caso Ferrari (Buenos Aires: Ed. Licopodio).
El caso Ferrari
Giunta, Andrea, 2008b. ‘Lines, Plans, and Sound-Drawing: León Ferrari, Sao Paulo, 1979–1986’, in León Ferrari Obras/Works 1976– 2008 (México DF: Inst. Nacional de Bellas Artes), 62–76.
Lines, Plans, and Sound-Drawing: León Ferrari, Sao Paulo, 1979–1986
León Ferrari Obras/Works 1976–
62
76
Giunta, Andrea, 2013. ‘Cronología’. [Online – León Ferrari website.] Available at: http://www.leonferrari.com.ar [accessed 30 August 2013].
Harris, Roy, 1995. Signs of Writing (London: Routledge).
Signs of Writing
Jameson, Fredric, 1972. The Prison-House of Language (Princeton, NJ: Princeton University Press).
The Prison-House of Language
Jauss, Hans Robert, 1982. ‘Poiesis: The Productive Side of Aesthetic Experience (Construire et Connaître)’, in Aesthetic Experience and Literary Hermeneutics (Minneapolis: University of Minnesota Press).
Poiesis: The Productive Side of Aesthetic Experience (Construire et Connaître)
Aesthetic Experience and Literary Hermeneutics
Lacan, Jacques, 1988. ‘The Insistence of the Letter in the Unconscious’, in Modern Criticism and Theory. A Reader, ed. David Lodge (London: Longman House), 80–106.
The Insistence of the Letter in the Unconscious
Modern Criticism and Theory. A Reader
80
106
Link, Daniel, 2012. ‘León Ferrari, la experiencia exterior’, in León Ferrari. Brailles y Relecturas de la Biblia. (Buenos Aires: MALBA), 11–26.
León Ferrari, la experiencia exterior
León Ferrari. Brailles y Relecturas de la Biblia
11
26
Magritte, René, 1929. ‘Les Mots et les images’, La Révolution surrealiste, 12: 32.
Les Mots et les images
La Révolution surrealiste
12
32
Mallarmé, Stéphane, 1951. Œuvres Complètes (Paris: Gallimard).
Œuvres Complètes
Morley, Simon, 2003. Writing on the Wall. Word and Image in Modern Art (London: Thames & Hudson).
Writing on the Wall. Word and Image in Modern Art
Olea, Héctor, 2000. ‘El poetar dibujante de León Ferrari’, in Heterotopías. Medio siglo sin lugar: 1918–1968, 391–98. Madrid: Museo Nacional Centro de Arte Reina Sofía.
El poetar dibujante de León Ferrari
Heterotopías. Medio siglo sin lugar: 1918–1968
391
98
Pérez-Oramas, Luis, 2009. ‘León Ferrari and Mira Schendel: Tangled Alphabets’, in León Ferrari and Mira Schendel: Tangled Alphabets (New York: MOMA), 12–45.
León Ferrari and Mira Schendel: Tangled Alphabets
León Ferrari and Mira Schendel: Tangled Alphabets
12
45
Playboy Magazine, 1969. The Playboy Interview: Marshall McLuhan, March. [Online – versión edited by Phillip Rogaway.] Available at: http://www.cs.ucdavis.edu/~rogaway/classes/188/spring07/mcluhan.pdf [accessed 4 August 2013].
Ramírez, Mari Carmen, 1999. ‘Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960–1980’, in Global Conceptualism: Points of Origin, 1950s–1980s (New York: The Queens Museum of Art), pp. 53–71.
Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960–1980
Global Conceptualism: Points of Origin, 1950s–1980s
53
71
Ramírez, Mari Carmen, Marcelo Eduardo Pacheco and Andrea Giunta and Jack S. Blanton, 1999. Cantos paralelos. La parodia plástica en el arte argentino contemporáneo (Austen, TX: Jack S. Blanton Museum of Art and Buenos Aires: Fondo Nacional de las Artes).
Cantos paralelos. La parodia plástica en el arte argentino contemporáneo
Rancière. Jacques, 2004. The Politics of Aesthetics: The Distribution of the Sensible, trans. Gabriel Rockhill, Afterword by Slavoj Zizek (London: Continuum).
The Politics of Aesthetics: The Distribution of the Sensible
Rancière. Jacques, 2007. The Future of the Image, trans. Gregory Elliott (London and New York: Verso).
The Future of the Image
Réquichot, Bernard, 2002. Ecrits divers. Journal – lettres – textes épars – Faustus – poèmes, 1951–1961 (Toulouse, France: Presses du réel).
Ecrits divers. Journal – lettres – textes
Ricoeur, Paul, 1977. The Rule of Metaphor (Toronto, Canada: University of Toronto Press).
The Rule of Metaphor
Ulmer, Gregory L., 1985. Applied Grammatology. Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys (Baltimore, MD and London: The Johns Hopkins University Press).
Applied Grammatology. Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys
Wilson, Ian, 1999. ‘Conceptual Art’, in Conceptual Art: A Critical Anthology, ed. Alexander Alberro and Blake Stimson (Cambridge, MA and London: The MIT Press), p. 414.
Conceptual Art
Conceptual Art: A Critical Anthology
414
Yurkievich, Saúl, 1997. Suma crítica (México D.F.: FCE).
Suma crítica
Zito Lema, Vicente, 1998. ‘León Ferrari: Aprovecho la libertad para expresar mis ideas’, La Maga, 339: 34–35.
León Ferrari: Aprovecho la libertad para expresar mis ideas
La Maga
339
34
35
Alberti, Rafael y León Ferrari, 1964. Escrito en el aire (Milano: All’insegna del pesce d’oro).
Escrito en el aire
Alfabeti della mente. Alphabets of the Mind, 2011, ed. Angela Madesani (Bologna: P420 galleria. Arte contemporanea e libri). Available at: http://www.comunicati.net/comunicati/arte/varie/ 183397.html [accessed 12 January 2016].
Architecture of Madnesss – Arquitecturas de la locura. 2002, dir. Gabriela Salgado and Ricardo Pons. (University of Essex Collection of Latin American Art).
Barthes, Roland, 1973. Le Plaisir du texte (Paris: Editions du Seuil).
Le Plaisir du texte
Barthes, Roland, 2002. Variaciones sobre la escritura (Barcelona and Buenos Aires: Paidós).
Variaciones sobre la escritura
Bryson, Norman, 1981. Word and Image. French Painting of the Ancien Régime (Cambridge, UK: Cambridge University Press).
Word and Image. French Painting of the Ancien Régime
Buckland, Rosina, 2010. Shunga: Erotic Art in Japan (London: British Museum Press).
Shunga: Erotic Art in Japan
Camnitzer, Luis, 2006. ‘Lettering, Latrines and Literati’, in León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo, Brazil: Cosac Naify), pp. 384–86.
Lettering, Latrines and Literati
León Ferrari. Retrospectiva. Obras 1954–2006
384
86
Derrida, Jacques, 1976. Of Grammatology, trans. Gayatri Chakravorty Spivak (Baltimore, MD and London: The Johns Hopkins University Press).
Of Grammatology
Drucker, Johanna, 1994. The Visible Word. Experimental Typography and Modern Art, 1909–1923 (Chicago, IL: Chicago University Press).
The Visible Word. Experimental Typography and Modern Art, 1909–1923
Dworkin, Craig, 2011. ‘The Fate of Echo’, in Against Expression. An Anthology of Conceptual Writing, ed. Craig Dworkin and Kenneth Goldsmith (Evanston, IL: Northwestern University Press).
The Fate of Echo
Against Expression. An Anthology of Conceptual Writing
Epplin, Craig, 2012. ‘Concrete Scrawls. The Wires and Words of Leon Ferrari’, Third Text, 26.6 (November): 713–28.
Concrete Scrawls. The Wires and Words of Leon Ferrari
Third Text
26.6
713
28
Ferrari, León, 1999. ‘On Judgments and Excrement’, in Cantos paralelos. La parodia plástica en el arte argentino contemporáneo (Buenos Aires: Fondo Nacional de las Artes).
On Judgments and Excrement
Cantos paralelos. La parodia plástica en el arte argentino contemporáneo
Ferrari, León, 2000. La bondadosa crueldad (Buenos Aires: Argonauta).
La bondadosa crueldad
Ferrari, León, 2005.Prosa política (Buenos Aires: Siglo XXI).
Prosa política
Ferrari, León, 2006. León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo: Cosac Naify/ Imprensa Oficial).
León Ferrari. Retrospectiva. Obras 1954–2006
Ferrari, León, 2008a. ‘Contra el infierno’, in León Ferrari. Obras/Works 1976–2008 (México DF: Instituto Nacional de Bellas Artes), 99.
Contra el infierno
León Ferrari. Obras/Works 1976–2008
99
Ferrari, León, 2008b. Entrevista con Adriana Malvido, in León Ferrari. Obras/Works 1976–2008 (México DF: Inst. Nacional de Bellas Artes), pp. 46–52.
Entrevista con Adriana Malvido
León Ferrari. Obras/Works 1976–2008
46
52
Ferrari, León, 2008c [1988]. Imagens (Sao Paulo: Ed. Licopodio [Ediçoes Exu]).
Imagens
Ferrari, León, 2008d [1967]. Palabras ajenas (Buenos Aires: Ed. Licopodio).
Palabras ajenas
Ferrari, León, 2008e. León Ferrari: Todavía quedan muchos creyentes que convencer. Una charla con Fernando García (Buenos Aires: Capital Intelectual).
León Ferrari: Todavía quedan muchos creyentes que convencer. Una charla con Fernando García
Giunta, Andrea, 2006. ‘Chronology’, en León Ferrari. Retrospectiva. Obras 1954–2006, ed. Andrea Giunta (Sao Paulo, Brazil: Cosac Naify/ Imprensa Oficial), pp. 394–422.
Chronology
León Ferrari. Retrospectiva. Obras 1954–2006
394
422
Giunta, Andrea, 2008a. El caso Ferrari (Buenos Aires: Ed. Licopodio).
El caso Ferrari
Giunta, Andrea, 2008b. ‘Lines, Plans, and Sound-Drawing: León Ferrari, Sao Paulo, 1979–1986’, in León Ferrari Obras/Works 1976– 2008 (México DF: Inst. Nacional de Bellas Artes), 62–76.
Lines, Plans, and Sound-Drawing: León Ferrari, Sao Paulo, 1979–1986
León Ferrari Obras/Works 1976–
62
76
Giunta, Andrea, 2013. ‘Cronología’. [Online – León Ferrari website.] Available at: http://www.leonferrari.com.ar [accessed 30 August 2013].
Harris, Roy, 1995. Signs of Writing (London: Routledge).
Signs of Writing
Jameson, Fredric, 1972. The Prison-House of Language (Princeton, NJ: Princeton University Press).
The Prison-House of Language
Jauss, Hans Robert, 1982. ‘Poiesis: The Productive Side of Aesthetic Experience (Construire et Connaître)’, in Aesthetic Experience and Literary Hermeneutics (Minneapolis: University of Minnesota Press).
Poiesis: The Productive Side of Aesthetic Experience (Construire et Connaître)
Aesthetic Experience and Literary Hermeneutics
Lacan, Jacques, 1988. ‘The Insistence of the Letter in the Unconscious’, in Modern Criticism and Theory. A Reader, ed. David Lodge (London: Longman House), 80–106.
The Insistence of the Letter in the Unconscious
Modern Criticism and Theory. A Reader
80
106
Link, Daniel, 2012. ‘León Ferrari, la experiencia exterior’, in León Ferrari. Brailles y Relecturas de la Biblia. (Buenos Aires: MALBA), 11–26.
León Ferrari, la experiencia exterior
León Ferrari. Brailles y Relecturas de la Biblia
11
26
Magritte, René, 1929. ‘Les Mots et les images’, La Révolution surrealiste, 12: 32.
Les Mots et les images
La Révolution surrealiste
12
32
Mallarmé, Stéphane, 1951. Œuvres Complètes (Paris: Gallimard).
Œuvres Complètes
Morley, Simon, 2003. Writing on the Wall. Word and Image in Modern Art (London: Thames & Hudson).
Writing on the Wall. Word and Image in Modern Art
Olea, Héctor, 2000. ‘El poetar dibujante de León Ferrari’, in Heterotopías. Medio siglo sin lugar: 1918–1968, 391–98. Madrid: Museo Nacional Centro de Arte Reina Sofía.
El poetar dibujante de León Ferrari
Heterotopías. Medio siglo sin lugar: 1918–1968
391
98
Pérez-Oramas, Luis, 2009. ‘León Ferrari and Mira Schendel: Tangled Alphabets’, in León Ferrari and Mira Schendel: Tangled Alphabets (New York: MOMA), 12–45.
León Ferrari and Mira Schendel: Tangled Alphabets
León Ferrari and Mira Schendel: Tangled Alphabets
12
45
Playboy Magazine, 1969. The Playboy Interview: Marshall McLuhan, March. [Online – versión edited by Phillip Rogaway.] Available at: http://www.cs.ucdavis.edu/~rogaway/classes/188/spring07/mcluhan.pdf [accessed 4 August 2013].
Ramírez, Mari Carmen, 1999. ‘Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960–1980’, in Global Conceptualism: Points of Origin, 1950s–1980s (New York: The Queens Museum of Art), pp. 53–71.
Tactics for Thriving on Adversity: Conceptualism in Latin America, 1960–1980
Global Conceptualism: Points of Origin, 1950s–1980s
53
71
Ramírez, Mari Carmen, Marcelo Eduardo Pacheco and Andrea Giunta and Jack S. Blanton, 1999. Cantos paralelos. La parodia plástica en el arte argentino contemporáneo (Austen, TX: Jack S. Blanton Museum of Art and Buenos Aires: Fondo Nacional de las Artes).
Cantos paralelos. La parodia plástica en el arte argentino contemporáneo
Rancière. Jacques, 2004. The Politics of Aesthetics: The Distribution of the Sensible, trans. Gabriel Rockhill, Afterword by Slavoj Zizek (London: Continuum).
The Politics of Aesthetics: The Distribution of the Sensible
Rancière. Jacques, 2007. The Future of the Image, trans. Gregory Elliott (London and New York: Verso).
The Future of the Image
Réquichot, Bernard, 2002. Ecrits divers. Journal – lettres – textes épars – Faustus – poèmes, 1951–1961 (Toulouse, France: Presses du réel).
Ecrits divers. Journal – lettres – textes
Ricoeur, Paul, 1977. The Rule of Metaphor (Toronto, Canada: University of Toronto Press).
The Rule of Metaphor
Ulmer, Gregory L., 1985. Applied Grammatology. Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys (Baltimore, MD and London: The Johns Hopkins University Press).
Applied Grammatology. Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys
Wilson, Ian, 1999. ‘Conceptual Art’, in Conceptual Art: A Critical Anthology, ed. Alexander Alberro and Blake Stimson (Cambridge, MA and London: The MIT Press), p. 414.
Conceptual Art
Conceptual Art: A Critical Anthology
414
Yurkievich, Saúl, 1997. Suma crítica (México D.F.: FCE).
Suma crítica
Zito Lema, Vicente, 1998. ‘León Ferrari: Aprovecho la libertad para expresar mis ideas’, La Maga, 339: 34–35.
León Ferrari: Aprovecho la libertad para expresar mis ideas
La Maga
339
34
35