Music, Sound, and the Moving Image

Book Reviews

Music, Sound, and the Moving Image (2015), 9, (1), 85–97.

Abstract

Access Token
£25.00
If you have private access to this content, please log in with your username and password here

Abbate, Carolyn (1991) Unsung Voices: Opera and Musical Narrative in the Nineteenth Century, Princeton, NJ, and Oxford: Princeton University Press Unsung Voices: Opera and Musical Narrative in the Nineteenth Century Google Scholar

Franklin, Peter (2011) Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, New York: Oxford University Press Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores Google Scholar

Gorbman, Claudia (1987) Unheard Melodies: Narrative Film Music, Bloomington, Indiana: Indiana University Press Unheard Melodies: Narrative Film Music Google Scholar

Long, Michael (2008) Beautiful Monsters: Imagining the Classic in Musical Media, Berkley, CA: University of California Press Beautiful Monsters: Imagining the Classic in Musical Media Google Scholar

Marks, Laura U. (2000) The Skin of Film: Intercultural Cinema, Embodiment, and the Senses, Durham, NC: Duke University Press The Skin of Film: Intercultural Cinema, Embodiment, and the Senses Google Scholar

Reyland, Nicholas (2011) Zbigniew Preisner’s ‘Three Colours’ Trilogy: Blue, White, Red: A Film Score Guide, Lanham, MD: Scarecrow Press Zbigniew Preisner’s ‘Three Colours’ Trilogy: Blue, White, Red: A Film Score Guide Google Scholar

Small, Christopher (1998) Musicking: The Meaning of Performing and Listening, Middletown, CT: Wesleyan University Press Musicking: The Meaning of Performing and Listening Google Scholar

Sobchack, Vivian (2004) Carnal Thoughts: Embodiment and Moving Image Culture, Berkley, CA: University of California Press Carnal Thoughts: Embodiment and Moving Image Culture Google Scholar

Winters, Ben (2007) Erich Wolfgang Korngold’s ‘The Adventures of Robin Hood’: A Film Score Guide, Lanham, MD: Scarecrow Press Erich Wolfgang Korngold’s ‘The Adventures of Robin Hood’: A Film Score Guide Google Scholar

Winters, Ben (2010) ‘The Non-diegetic Fallacy: Film, Music, and Narrative Space’, Music & Letters, 91: 224–44 The Non-diegetic Fallacy: Film, Music, and Narrative Space Music & Letters 91 224 44 Google Scholar

Winters, Ben (2012) ‘Musical Wallpaper? Towards an Appreciation of Non-narrating Music in Film’, Music, Sound, and the Moving Image, 6: 39–54 Musical Wallpaper? Towards an Appreciation of Non-narrating Music in Film Music, Sound, and the Moving Image 6 39 54 Google Scholar

If you have private access to this content, please log in with your username and password here

Details

Author details

Jaszoltowski, Saskia

Fountain, Daniela

Winters, Ben

Knight, Douglas