Music, Sound, and the Moving Image

Above and Beyond or Betwixt and Between?

Music, Sound, and the Moving Image (2009), 3, (2), 215–235.

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Bordwell, David and Carroll, Noël (eds) (1996) Post-Theory: Reconstructing Film Studies, Madison: University of Wisconsin Press Post-Theory: Reconstructing Film Studies Google Scholar

Brophy, Philip (1999) 'How Sound Floats on Land' in Cinesonic: Cinema and the Sound of Music, Sydney: AFTRS Publishing, reproduced at: http://www.philipbrophy.com/projects/cnsnc/1999_HowSoundFloats.html Google Scholar

Buhler, James, Flinn, Caryl, and Neumeyer, David (eds) (2000) Music and Cinema, Middletown CT: Wesleyan University Press Music and Cinema Google Scholar

Carroll, Noël (1988) Mystifying Movies: Fads and Fallacies in Contemporary Film Theory, New York: Columbia University Press Mystifying Movies: Fads and Fallacies in Contemporary Film Theory Google Scholar

Davison, Annette (2004) Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s, Aldershot: Ashgate Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s Google Scholar

Gorbman, Claudia (1998) 'Film Music' in John Hill and Pamela Church Gibson (eds) The Oxford Guide to Film Studies, Oxford: Oxford University Press Film Music The Oxford Guide to Film Studies Google Scholar

Kassabian, Anahid (2001) Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music, New York: Routledge Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music Google Scholar

Kramer, Lawrence (1998, 2006) 'Tolstoy's Beethoven, Beethoven's Tolstoy: The Kreutzer Sonata' in Critical Musicology and the Responsibility of Response: Selected Essays, Aldershot and Burlington, VT: Ashgate Google Scholar

Kramer, Lawrence (2008) Why Classical Music Still Matters, Berkeley: University of California Press Why Classical Music Still Matters Google Scholar

Lannin, Steve (ed.) (2005) Pop Fiction: The Song in Cinema, Bristol: Intellect Books Pop Fiction: The Song in Cinema Google Scholar

Powrie, Phil, and Stilwell, Robynn J. (eds) (2006) Changing Tunes: The Use of Pre-existing Music in Film, Aldershot: Ashgate Publishing Changing Tunes: The Use of Pre-existing Music in Film Google Scholar

Smith, Jeff (1996) 'Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music', in David Bordwell and Noël Carroll (eds) Post-Theory: Reconstructing Film Studies, Madison: University of Wisconsin Press 'Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music' Post-Theory: Reconstructing Film Studies Google Scholar

Stilwell, Robynn J. (2002) 'Music in Films: A Critical Review of the Literature, 1980–1996', Journal of Film Music 1/1, pp. 19–61 'Music in Films: A Critical Review of the Literature, 1980–1996' Journal of Film Music 1 19 61 Google Scholar

University of California Press website (2007) 'Description' http://www.ucpress.edu/books/pages/10687.php Google Scholar

Bordwell, David and Carroll, Noël (eds) (1996) Post-Theory: Reconstructing Film Studies, Madison: University of Wisconsin Press Post-Theory: Reconstructing Film Studies Google Scholar

Brophy, Philip (1999) 'How Sound Floats on Land' in Cinesonic: Cinema and the Sound of Music, Sydney: AFTRS Publishing, reproduced at: http://www.philipbrophy.com/projects/cnsnc/1999_HowSoundFloats.html Google Scholar

Buhler, James, Flinn, Caryl, and Neumeyer, David (eds) (2000) Music and Cinema, Middletown CT: Wesleyan University Press Music and Cinema Google Scholar

Carroll, Noël (1988) Mystifying Movies: Fads and Fallacies in Contemporary Film Theory, New York: Columbia University Press Mystifying Movies: Fads and Fallacies in Contemporary Film Theory Google Scholar

Davison, Annette (2004) Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s, Aldershot: Ashgate Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s Google Scholar

Gorbman, Claudia (1998) 'Film Music' in John Hill and Pamela Church Gibson (eds) The Oxford Guide to Film Studies, Oxford: Oxford University Press Film Music The Oxford Guide to Film Studies Google Scholar

Kassabian, Anahid (2001) Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music, New York: Routledge Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music Google Scholar

Kramer, Lawrence (1998, 2006) 'Tolstoy's Beethoven, Beethoven's Tolstoy: The Kreutzer Sonata' in Critical Musicology and the Responsibility of Response: Selected Essays, Aldershot and Burlington, VT: Ashgate Google Scholar

Kramer, Lawrence (2008) Why Classical Music Still Matters, Berkeley: University of California Press Why Classical Music Still Matters Google Scholar

Lannin, Steve (ed.) (2005) Pop Fiction: The Song in Cinema, Bristol: Intellect Books Pop Fiction: The Song in Cinema Google Scholar

Powrie, Phil, and Stilwell, Robynn J. (eds) (2006) Changing Tunes: The Use of Pre-existing Music in Film, Aldershot: Ashgate Publishing Changing Tunes: The Use of Pre-existing Music in Film Google Scholar

Smith, Jeff (1996) 'Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music', in David Bordwell and Noël Carroll (eds) Post-Theory: Reconstructing Film Studies, Madison: University of Wisconsin Press 'Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music' Post-Theory: Reconstructing Film Studies Google Scholar

Stilwell, Robynn J. (2002) 'Music in Films: A Critical Review of the Literature, 1980–1996', Journal of Film Music 1/1, pp. 19–61 'Music in Films: A Critical Review of the Literature, 1980–1996' Journal of Film Music 1 19 61 Google Scholar

University of California Press website (2007) 'Description' http://www.ucpress.edu/books/pages/10687.php Google Scholar

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Reyland, Nicholas