References
Agnew, Vanessa (2007) ‘History’s Affective Turn: Historical Reenactment and its Work in the Present’, Rethinking History, 11 (3), pp.299–312.
Alphen, Ernst van & Jirsa, Tomáš (eds) (2019) ‘Introduction: Mapping Affective Operations’. In: How to Do Things with Affects: Affective Triggers in Aesthetic Forms and Cultural Practices. Leiden: Brill, pp.1–14.
Alphen, Ernst van (2008) ‘Affective Operations of Art and Literature’, RES: Anthropology and Aesthetics, 53/54, pp.21–30.
Arnold, Gina, Cookney, Daniel, Fairclough, Kirsty & Goddard, Michael (eds) (2017) ‘Introduction: The Persistence of the Music Video Form from MTV to Twenty-First-Century Social Media’. In: Music/Video: Histories, Aesthetics, Media. London and New York: Bloomsbury, pp.1–19.
Bal, Mieke (2009) ‘Working with Concepts’, European Journal of English Studies, 13 (1), pp.13–23.
Berg, Karen van den (2013) ‘Last Exit Underclass: Lana Del Rey and the Politics of White Trash’, Notes on Metamodernism, 1 May 2013. Available from: http://www.metamodernism.com/2013/05/01/last-exit-underclass/ (Accessed: 8 March 2019).
Boym, Svetlana (2001) The Future of Nostalgia. New York: Basic Books.
Brinkema, Eugenie (2014) The Forms of the Affects. Durham: Duke University Press.
Bromwich, Jonah (2016) ‘Baauer AA’, Pitchfork, 23 March. Available from: https://pitchfork.com/reviews/albums/21738-aa/ (Accessed: 8 March 2019).
Fetveit, Arild (2015) ‘Death, Beauty, and Iconoclastic Nostalgia: Precarious Aesthetics and Lana Del Rey’, NECSUS. European Journal of Media Studies, 4 (2), pp.187–207.
Fowles, Stacey May (2014) ‘Die 4U’, The New Inquiry, ‘Ms America’ (supplement), 11 July, pp.21–23.
Goodwin, Andrew (1992) Dancing in the Distraction Factory: Music, Television and Popular Culture. Minneapolis: University of Minnesota Press.
Gregg, Melissa & Seigworth, Gregory J. (eds) (2010) ‘An Inventory of Shimmers’. In: The Affect Theory Reader. Durham, NC: Duke University Press, pp.1–26.
Grusin, Richard (2009) ‘YouTube at the End of New Media’. In: Snickars, Pelle & Vonderau, Patrick (eds). The YouTube Reader. Stockholm: National Library of Sweden, pp.60–67.
Holland, Max & Rush, Johann (2007) ‘J.F.K.’s Death, Re-Framed’, The New York Times, 22 November. Available from: https://www.nytimes.com/2007/11/22/opinion/22holland.html (Accessed: 16 March 2019)
Horne, Douglas P. (2000) ‘Interviews with Former NPIC Employees: The Zapruder Film in November 1963’. In: Fetzer, James H. (ed.). Murder in Dealey Plaza: What We Know Now that We Didn’t Know Then about the Death of JFK. Chicago: Catfeet Press, pp.113–124.
Jirsa, Tomáš (2015) ‘Ascension of the Pop Icon: The Creativity of Kitsch (not only) in a Music Video by Lana Del Rey’, Moravian Journal of Literature and Film, 6 (1), pp.5–28.
Kaplan, Ann (1987) Rocking Around the Clock: MTV Postmodernism and Consumer Culture.New York: Methuen.
Kim, Jihoon (2016) Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age. London and New York: Bloomsbury.
Korsgaard, Mathias Bonde (2013) ‘Music Video Transformed’. In: Richardson, John, Gorbman, Claudia & Vernallis, Carol (eds). The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp.501–521.
Korsgaard, Mathias Bonde (2017) Music Video after MTV: Audiovisual Studies, New Media, and Popular Music. London: Routledge.
Korsgaard, Mathias Bonde (2019) ‘Changing Dynamics and Diversity in Music Video Production and Distribution’. In: Burns, Lori & Hawkins, Stan (eds). The Bloomsbury Handbook to Popular Music Video Analysis. London and New York: Bloomsbury.
Lach, Jiří (2015) ‘Who and Where Are the Audiences for History Today?’ In: Arbeit, Marcel & Christie, Ian (eds). Where Is History Today? New Ways of Representing the Past. Olomouc: Palacký University Press, pp.13–26.
Massumi, Brian (2002) Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press.
McCalman, Iain & Pickering, Paul A. (eds) (2010) ‘From Realism to the Affective Turn: An Agenda’. In: Historical Reenactment: From Realism to the Affective Turn. Basingstoke: Palgrave Macmillan, pp.1–17.
Nellis, Krystina (2012) ‘Lana Del Rey – Born To Die’, Drowned in Sound, 30 January. Available from: http://drownedinsound.com/releases/16769/reviews/4144405 (Accessed: 20 March 2019).
Reid, Tyrone S. (2012) ‘Music Review: Lana Del Rey – Born To Die’, Seattle Post-Intelligencer, 5 February. Available from: https://www.seattlepi.com/lifestyle/blogcritics/article/Music-Review-Lana-Del-Rey-Born-To-Die-3050635.php (Accessed: 20 March 2019).
Richardson, John & Gorbman, Claudia (2013) ‘Introduction’. In: Richardson, John, Gorbman, Claudia & Vernallis, Carol (eds). The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp.3–35.
Schrey, Dominik (2014) ‘Analogue Nostalgia and the Aesthetics of Digital Remediation’. In: Niemeyer, Katharina (ed.). Media and Nostalgia: Yearning for the Past, Present and Future. London: Palgrave Macmillan, pp.27–38.
Shaviro, Steven (2010) Post-Cinematic Affect. New York: Zero Books.
Shaviro, Steven (2017) Digital Music Videos. New Brunswick, NJ: Rutgers University Press.
Slaby, Jan (2019) ‘Relational Affect: Perspectives from Philosophy and Cultural Studies’. In: Alphen, Ernst van & Jirsa, Tomáš (eds). How to Do Things with Affects: Affective Triggers in Aesthetic Forms and Cultural Practices. Leiden: Brill, pp.59–81.
Sontag, Susan (1966) ‘Notes on “Camp”’. In: Against Interpretation, and Other Essays. New York: Dell, pp.275–292.
Spinoza, Benedict de (1994) A Spinoza Reader: The Ethics and Other Works. Ed. and trans. Edwin Curley. Princeton, NJ: Princeton University Press.
Vernallis, Carol (2004) Experiencing Music Video: Aesthetics and Cultural Context. New York: Columbia University Press.
Vernallis, Carol (2007) ‘Strange People, Weird Objects: The Nature of Narrativity, Character, and Editing in Music Videos’. In: Beebe, Roger & Middleton, Jason (eds). Medium Cool: Music Videos from Soundies to Cellphones. Durham, NC and London: Duke University Press, pp.111–151.
Vernallis, Carol (2013) Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press.
Zoladz, Lindsay (2012) ‘Lana Del Rey Born to Die’, Pitchfork, 3 January 2012. Available from: https://pitchfork.com/reviews/albums/16223-lana-del-rey/ (Accessed: 24 February 2019).
Media Cited
AA, Baauer, LuckyMe, USA, 2016.
Atlanta, Hiro Murai, USA, 2016–2018.
Born to Die, Lana Del Rey, Interscope Records, USA, 2012.
‘Born to Die’ [music video], Lana Del Rey, Yoann Lemoine, USA, 2012.
‘Day Ones’ [music video], Baauer, Hiro Murai, USA, 2016.
‘National Anthem’ [music video], Lana Del Rey, Anthony Mandler, USA, 2012.
‘Summer Wine’ [music video], Lana Del Rey, USA, 2013.
‘Summertime Sadness’ [music video], Lana Del Rey, Kyle Newman and Spencer Susser, USA, 2012.
‘This Is America’ [music video], Childish Gambino, Hiro Murai, USA, 2018.