Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller-Roazen. Stanford: Stanford University Press, 1998. Print.
Homo Sacer: Sovereign Power and Bare Life
Ahmad, Aalya. “Gray Is the New Black: Race, Class, and Zombies.” Generation Zombie: Essays on the Living Dead in Modern Culture. Ed. Stephanie Boluk and Wylie Lenz. Jefferson: McFarland, 2011. 130–146. Print.
Gray Is the New Black: Race, Class, and Zombies.
Generation Zombie: Essays on the Living Dead in Modern Culture
130
146
Baldwin, James. “Stranger in the Village.” Notes of a Native Son. Boston: Beacon Press, 2012. 141–179. Print.
Stranger in the Village.
Notes of a Native Son
141
179
Berlant, Lauren Gail. Cruel Optimism. Durham: Duke University Press, 2011. Print.
Cruel Optimism
Brooks, Max. World War Z: An Oral History of the Zombie War. New York: Crown, 2006. Print.
World War Z: An Oral History of the Zombie War
Brown, Bill. “Reification, Reanimation, and the American Uncanny.” Critical Inquiry 32.2 (2006): 175–207. Print.
Reification, Reanimation, and the American Uncanny.
Critical Inquiry
32.2
175
207
Bruce, Barbara S. “Guess Who’s Going to Be Dinner: Sidney Poitier, Black Militancy, and the Ambivalence of Race in Romero’s Night of the Living Dead.” Race, Oppression and the Zombie: Essays on Cross-Cultural Appropriations of the Caribbean Tradition. Ed. Christopher M. Moreman and Cory James. Jefferson: McFarland, 2011. 60–73. Print.
Guess Who’s Going to Be Dinner: Sidney Poitier, Black Militancy, and the Ambivalence of Race in Romero’s Night of the Living Dead.
Race, Oppression and the Zombie: Essays on Cross-Cultural Appropriations of the Caribbean Tradition
60
73
Canavan, Gerry. “‘We Are the Walking Dead’: Race, Time, and Survival in Zombie Narrative.” Extrapolation 51.3 (2010): 431–453. Print.
‘We Are the Walking Dead’: Race, Time, and Survival in Zombie Narrative.
Extrapolation
51.3
431
453
Charles, Ron. “‘Zone One,’ by Colson Whitehead: Zombies Abound.” The Washington Post 9 Oct. 2011. Web. 7 Nov. 2014.
‘Zone One,’ by Colson Whitehead: Zombies Abound.
The Washington Post
Cheng, Anne Anlin. “Skins, Tattoos, and Susceptibility.” Representations 108.1 (2009): 98–119. Print.
Skins, Tattoos, and Susceptibility.
Representations
108.1
98
119
Coates, Ta-Nehisi. “The Case For Reparations.” The Atlantic 313.5 (2014): 54–71. Print.
The Case For Reparations.
The Atlantic
313.5
54
71
Deleuze, Gilles, and Félix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press, 1983. Print.
Anti-Oedipus: Capitalism and Schizophrenia
Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. New York: Routledge, 1994. Print.
Specters of Marx: The State of the Debt, the Work of Mourning, and the New International
Doane, Mary Ann. Femmes Fatales: Feminism, Film Theory, Psychoanalysis. New York: Routledge, 1991. Print.
Femmes Fatales: Feminism, Film Theory, Psychoanalysis
Evil Dead II. Dir. Sam Raimi. Renaissance Pictures, 1987. DVD.
Evil Dead II
Fanon, Frantz. Black Skin, White Masks. New York: Grove Press, 1967. Print.
Black Skin, White Masks
Foucault, Michel. Society Must Be Defended: Lectures at the Collège de France, 1975-76. New York: Picador, 2003. Print.
Society Must Be Defended: Lectures at the Collège de France, 1975-76
Giroux, Henry A. “Reading Hurricane Katrina: Race, Class, and the Biopolitics of Disposability.” College Literature 33.3 (2006): 171–196. Print.
Reading Hurricane Katrina: Race, Class, and the Biopolitics of Disposability.
College Literature
33.3
171
196
Gordon, Avery. Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press, 2008. Print.
Ghostly Matters: Haunting and the Sociological Imagination
Hill Collins, Patricia. From Black Power to Hip Hop: Racism, Nationalism, and Feminism. Philadelphia: Temple University Press, 2006. Print.
From Black Power to Hip Hop: Racism, Nationalism, and Feminism
Hoberek, Andrew. “Living with PASD.” Contemporary Literature 53.2 (2012): 406–413. Print.
Living with PASD.
Contemporary Literature
53.2
406
413
Hoberek, Andrew. “The Postapocalyptic Present.” Modern Language Association Conference. Boston. 11 Jan. 2014. Conference Presentation.
The Postapocalyptic Present.
I Am Legend. Dir. Francis Lawrence. Warner Bros. Pictures, 2008. DVD.
I Am Legend
Jackson, John L., Jr. “A Little Black Magic.” South Atlantic Quarterly 104.3 (2005): 393–402. Print.
A Little Black Magic.
South Atlantic Quarterly
104.3
393
402
Lauro, Sarah Juliet, and Karen Embry. “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism.” Boundary 2 35.1 (2008): 85–108. Print.
A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism.
Boundary 2
35.1
85
108
Martin, Theodore. “Survival Skills.” Society for Novel Studies Conference. University of Utah, Salt Lake City. 5 Apr. 2014. Conference Presentation.
Survival Skills.
Mbembe, Achille. “Necropolitics.” Trans. Libby Meintjes. Public Culture 15.1 (2003): 11–40. Print.
Necropolitics.
Public Culture
15.1
11
40
McAlister, Elizabeth. “Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies.” Anthropological Quarterly 85.2 (2012): 457–486. Print.
Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies.
Anthropological Quarterly
85.2
457
486
McGurl, Mark. “The Zombie Renaissance.” n+1 9 (Spring 2010): n. pag. Web. 3 May 2014.
The Zombie Renaissance.
n+1
Ngai, Sianne. Ugly Feelings. Cambridge: Harvard University Press, 2004. Print.
Ugly Feelings
Night of the Living Dead. Dir. George A. Romero. Image Ten, 1968. DVD.
Night of the Living Dead
Nilges, Mathias. “Nostalgia for Immediacy—The Contemporary Zeitroman and the Time of the Post-Apocalypse.” Society for Novel Studies Conference. University of Utah, Salt Lake City. 5 Apr. 2014. Conference Presentation.
Nostalgia for Immediacy—The Contemporary Zeitroman and the Time of the Post-Apocalypse.
Pippin, Tina. “‘Behold, I Stand at the Door and Knock’: The Living Dead and Apocalyptic Dystopia.” Bible & Critical Theory 6.3 (2010): n. pag. Web. 5 May 2014.
‘Behold, I Stand at the Door and Knock’: The Living Dead and Apocalyptic Dystopia.
Bible & Critical Theory
6.3
Ponder, Justin. “Dawn of the Different: The Mulatto Zombie in Zack Snyder’s Dawn of the Dead.” Journal of Popular Culture 45.3 (2012): 551–571. Print.
Dawn of the Different: The Mulatto Zombie in Zack Snyder’s Dawn of the Dead.
Journal of Popular Culture
45.3
551
571
Raengo, Alessandra. On the Sleeve of the Visual: Race as Face Value. Hanover: Dartmouth College Press, 2013. Print.
On the Sleeve of the Visual: Race as Face Value
Ross, Marlon B. “This Is Not an Apologia for African American Literature.” PMLA 128.2 (2013): 395–398. Print.
This Is Not an Apologia for African American Literature.
PMLA
128.2
395
398
Saldívar, Ramón. “The Second Elevation of the Novel: Race, Form, and the Postrace Aesthetic in Contemporary Narrative.” Narrative 21.1 (2013): 1–18. Print.
The Second Elevation of the Novel: Race, Form, and the Postrace Aesthetic in Contemporary Narrative.
Narrative
21.1
1
18
Sorensen, Leif. “Against the Post-Apocalyptic: Narrative Closure in Colson Whitehead’s Zone One.” Contemporary Literature 55.3 (2014): 559–592. Print.
Against the Post-Apocalyptic: Narrative Closure in Colson Whitehead’s Zone One.
Contemporary Literature
55.3
559
592
Squires, Catherine R. The Post-Racial Mystique: Media and Race in the Twenty-First Century. New York: New York University Press, 2014. Print.
The Post-Racial Mystique: Media and Race in the Twenty-First Century
Wald, Gayle. Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture. Durham, N.C.: Duke University Press, 2000. Print.
Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture.
Warner, Marina. Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-First Century. Oxford and New York: Oxford University Press, 2006. Print.
Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-First Century
Wetmore, Kevin J. Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times. Jefferson: McFarland, 2011. Print.
Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times
White Zombie. Dir. Victor Halperin. United Artists Corporation, 1932. DVD.
White Zombie
Whitehead, Colson. Zone One: A Novel. New York: Anchor Books, 2011. Print.
Zone One: A Novel
Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller-Roazen. Stanford: Stanford University Press, 1998. Print.
Homo Sacer: Sovereign Power and Bare Life
Ahmad, Aalya. “Gray Is the New Black: Race, Class, and Zombies.” Generation Zombie: Essays on the Living Dead in Modern Culture. Ed. Stephanie Boluk and Wylie Lenz. Jefferson: McFarland, 2011. 130–146. Print.
Gray Is the New Black: Race, Class, and Zombies.
Generation Zombie: Essays on the Living Dead in Modern Culture
130
146
Baldwin, James. “Stranger in the Village.” Notes of a Native Son. Boston: Beacon Press, 2012. 141–179. Print.
Stranger in the Village.
Notes of a Native Son
141
179
Berlant, Lauren Gail. Cruel Optimism. Durham: Duke University Press, 2011. Print.
Cruel Optimism
Brooks, Max. World War Z: An Oral History of the Zombie War. New York: Crown, 2006. Print.
World War Z: An Oral History of the Zombie War
Brown, Bill. “Reification, Reanimation, and the American Uncanny.” Critical Inquiry 32.2 (2006): 175–207. Print.
Reification, Reanimation, and the American Uncanny.
Critical Inquiry
32.2
175
207
Bruce, Barbara S. “Guess Who’s Going to Be Dinner: Sidney Poitier, Black Militancy, and the Ambivalence of Race in Romero’s Night of the Living Dead.” Race, Oppression and the Zombie: Essays on Cross-Cultural Appropriations of the Caribbean Tradition. Ed. Christopher M. Moreman and Cory James. Jefferson: McFarland, 2011. 60–73. Print.
Guess Who’s Going to Be Dinner: Sidney Poitier, Black Militancy, and the Ambivalence of Race in Romero’s Night of the Living Dead.
Race, Oppression and the Zombie: Essays on Cross-Cultural Appropriations of the Caribbean Tradition
60
73
Canavan, Gerry. “‘We Are the Walking Dead’: Race, Time, and Survival in Zombie Narrative.” Extrapolation 51.3 (2010): 431–453. Print.
‘We Are the Walking Dead’: Race, Time, and Survival in Zombie Narrative.
Extrapolation
51.3
431
453
Charles, Ron. “‘Zone One,’ by Colson Whitehead: Zombies Abound.” The Washington Post 9 Oct. 2011. Web. 7 Nov. 2014.
‘Zone One,’ by Colson Whitehead: Zombies Abound.
The Washington Post
Cheng, Anne Anlin. “Skins, Tattoos, and Susceptibility.” Representations 108.1 (2009): 98–119. Print.
Skins, Tattoos, and Susceptibility.
Representations
108.1
98
119
Coates, Ta-Nehisi. “The Case For Reparations.” The Atlantic 313.5 (2014): 54–71. Print.
The Case For Reparations.
The Atlantic
313.5
54
71
Deleuze, Gilles, and Félix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press, 1983. Print.
Anti-Oedipus: Capitalism and Schizophrenia
Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. New York: Routledge, 1994. Print.
Specters of Marx: The State of the Debt, the Work of Mourning, and the New International
Doane, Mary Ann. Femmes Fatales: Feminism, Film Theory, Psychoanalysis. New York: Routledge, 1991. Print.
Femmes Fatales: Feminism, Film Theory, Psychoanalysis
Evil Dead II. Dir. Sam Raimi. Renaissance Pictures, 1987. DVD.
Evil Dead II
Fanon, Frantz. Black Skin, White Masks. New York: Grove Press, 1967. Print.
Black Skin, White Masks
Foucault, Michel. Society Must Be Defended: Lectures at the Collège de France, 1975-76. New York: Picador, 2003. Print.
Society Must Be Defended: Lectures at the Collège de France, 1975-76
Giroux, Henry A. “Reading Hurricane Katrina: Race, Class, and the Biopolitics of Disposability.” College Literature 33.3 (2006): 171–196. Print.
Reading Hurricane Katrina: Race, Class, and the Biopolitics of Disposability.
College Literature
33.3
171
196
Gordon, Avery. Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press, 2008. Print.
Ghostly Matters: Haunting and the Sociological Imagination
Hill Collins, Patricia. From Black Power to Hip Hop: Racism, Nationalism, and Feminism. Philadelphia: Temple University Press, 2006. Print.
From Black Power to Hip Hop: Racism, Nationalism, and Feminism
Hoberek, Andrew. “Living with PASD.” Contemporary Literature 53.2 (2012): 406–413. Print.
Living with PASD.
Contemporary Literature
53.2
406
413
Hoberek, Andrew. “The Postapocalyptic Present.” Modern Language Association Conference. Boston. 11 Jan. 2014. Conference Presentation.
The Postapocalyptic Present.
I Am Legend. Dir. Francis Lawrence. Warner Bros. Pictures, 2008. DVD.
I Am Legend
Jackson, John L., Jr. “A Little Black Magic.” South Atlantic Quarterly 104.3 (2005): 393–402. Print.
A Little Black Magic.
South Atlantic Quarterly
104.3
393
402
Lauro, Sarah Juliet, and Karen Embry. “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism.” Boundary 2 35.1 (2008): 85–108. Print.
A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism.
Boundary 2
35.1
85
108
Martin, Theodore. “Survival Skills.” Society for Novel Studies Conference. University of Utah, Salt Lake City. 5 Apr. 2014. Conference Presentation.
Survival Skills.
Mbembe, Achille. “Necropolitics.” Trans. Libby Meintjes. Public Culture 15.1 (2003): 11–40. Print.
Necropolitics.
Public Culture
15.1
11
40
McAlister, Elizabeth. “Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies.” Anthropological Quarterly 85.2 (2012): 457–486. Print.
Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies.
Anthropological Quarterly
85.2
457
486
McGurl, Mark. “The Zombie Renaissance.” n+1 9 (Spring 2010): n. pag. Web. 3 May 2014.
The Zombie Renaissance.
n+1
Ngai, Sianne. Ugly Feelings. Cambridge: Harvard University Press, 2004. Print.
Ugly Feelings
Night of the Living Dead. Dir. George A. Romero. Image Ten, 1968. DVD.
Night of the Living Dead
Nilges, Mathias. “Nostalgia for Immediacy—The Contemporary Zeitroman and the Time of the Post-Apocalypse.” Society for Novel Studies Conference. University of Utah, Salt Lake City. 5 Apr. 2014. Conference Presentation.
Nostalgia for Immediacy—The Contemporary Zeitroman and the Time of the Post-Apocalypse.
Pippin, Tina. “‘Behold, I Stand at the Door and Knock’: The Living Dead and Apocalyptic Dystopia.” Bible & Critical Theory 6.3 (2010): n. pag. Web. 5 May 2014.
‘Behold, I Stand at the Door and Knock’: The Living Dead and Apocalyptic Dystopia.
Bible & Critical Theory
6.3
Ponder, Justin. “Dawn of the Different: The Mulatto Zombie in Zack Snyder’s Dawn of the Dead.” Journal of Popular Culture 45.3 (2012): 551–571. Print.
Dawn of the Different: The Mulatto Zombie in Zack Snyder’s Dawn of the Dead.
Journal of Popular Culture
45.3
551
571
Raengo, Alessandra. On the Sleeve of the Visual: Race as Face Value. Hanover: Dartmouth College Press, 2013. Print.
On the Sleeve of the Visual: Race as Face Value
Ross, Marlon B. “This Is Not an Apologia for African American Literature.” PMLA 128.2 (2013): 395–398. Print.
This Is Not an Apologia for African American Literature.
PMLA
128.2
395
398
Saldívar, Ramón. “The Second Elevation of the Novel: Race, Form, and the Postrace Aesthetic in Contemporary Narrative.” Narrative 21.1 (2013): 1–18. Print.
The Second Elevation of the Novel: Race, Form, and the Postrace Aesthetic in Contemporary Narrative.
Narrative
21.1
1
18
Sorensen, Leif. “Against the Post-Apocalyptic: Narrative Closure in Colson Whitehead’s Zone One.” Contemporary Literature 55.3 (2014): 559–592. Print.
Against the Post-Apocalyptic: Narrative Closure in Colson Whitehead’s Zone One.
Contemporary Literature
55.3
559
592
Squires, Catherine R. The Post-Racial Mystique: Media and Race in the Twenty-First Century. New York: New York University Press, 2014. Print.
The Post-Racial Mystique: Media and Race in the Twenty-First Century
Wald, Gayle. Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture. Durham, N.C.: Duke University Press, 2000. Print.
Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture.
Warner, Marina. Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-First Century. Oxford and New York: Oxford University Press, 2006. Print.
Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-First Century
Wetmore, Kevin J. Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times. Jefferson: McFarland, 2011. Print.
Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times
White Zombie. Dir. Victor Halperin. United Artists Corporation, 1932. DVD.
White Zombie
Whitehead, Colson. Zone One: A Novel. New York: Anchor Books, 2011. Print.
Zone One: A Novel