Contemporary French Civilization

Sexuality, Horror, and Postmodernism in Québec’s Littératures de Genre

Contemporary French Civilization (1970), 32, (1), 157–182.

Abstract

Access Token
£25.00
READ THIS ARTICLE
If you have private access to this content, please log in with your username and password here

Baker, Neal. “The Politics of Language in Science Fiction from Québec.” Contemporary French Civilization 28.1 (Winter 2004): 33-53. The Politics of Language in Science Fiction from Québec Contemporary French Civilization 28 33 53 Google Scholar

Baker, Neal. “Syncretism: A Federalist Approach to Canadian Science Fiction.” Extrapolation 42.3 (Fall 2001): 218-231. Syncretism: A Federalist Approach to Canadian Science Fiction Extrapolation 42 218 231 Google Scholar

Benshoff, Harry. Monsters in the Closet: Homosexuality and the Horror Film. Manchester: Manchester UP, 1997. Monsters in the Closet: Homosexuality and the Horror Film Google Scholar

Bolduc, Claude. Les Yeux troubles et autres contes de la lune noire. Hull: Vents d’Ouest, 1998. Les Yeux troubles et autres contes de la lune noire Google Scholar

Bolduc, Claude. “Entre les bras des amants réunis.” L’Année de la science-fiction et du fantastique québécois 2000. Ed. Claude Janelle and Jean Pettigrew. Beauport, Qc: Alire, 2005. 211-279. Entre les bras des amants réunis L’Année de la science-fiction et du fantastique québécois 2000 211 279 Google Scholar

Bolduc, Claude. Histoire d’un soir et autres épouvantes. Gatineau: Vents d’Ouest, 2006. Histoire d’un soir et autres épouvantes Google Scholar

Champetier, Joël. La Peau blanche. Beauport, Qc: Alire, 1997. La Peau blanche Google Scholar

Clover, Carol J. “Her Body, Himself: Gender in the Slasher Film.” In Grant. 66-115. Her Body, Himself: Gender in the Slasher Film 66 115 Google Scholar

Creed, Barbara. “Horror and the Monstrous-Feminine: An Imaginary Abjection.” In Grant. 35-65. Horror and the Monstrous-Feminine: An Imaginary Abjection 35 65 Google Scholar

Fortin, Marie-Claude. “Mauvais genre.” Voir (Montréal: Sept. 27-Oct. 3, 2001): 36. Mauvais genre Voir 36 Google Scholar

Gautier, Théophile. “La Morte amoureuse.” 1836. La Morte amoureuse, Avatar et autres récits fantastiques. Pref. Jean Gaudon. Paris: Gallimard, 1981. 77-116. La Morte amoureuse La Morte amoureuse, Avatar et autres récits fantastiques 77 116 Google Scholar

Gomel, Elana. Bloodscripts: Writing the Violent Subject. Columbus, OH: Ohio State University Press, 2003. Bloodscripts: Writing the Violent Subject Google Scholar

Grant, Barry Keith, Ed. The Dread of Difference: Gender and the Horror Film. Austin: UT Press, 1996. The Dread of Difference: Gender and the Horror Film Google Scholar

Guy, Chantal. “Patrick Senécal: Celui par qui le mal… arrive au cinéma.” La Presse (Oct 5, 2003): Cahier Fl-2. Patrick Senécal: Celui par qui le mal… arrive au cinéma La Presse F1 2 Google Scholar

Hills, Matt. The Pleasures of Horror. London: Continuum, 2003. The Pleasures of Horror Google Scholar

Kristeva, Julia. Pouvoirs de l’horreur. Paris: Seuil, 1980. Pouvoirs de l’horreur Google Scholar

Laflamme, Steve. “La maître du suspense québécois.” Québec français 133 (Spring 2004): 36-39. La maître du suspense québécois Québec français 133 36 39 Google Scholar

Landais, Clotilde. “Aliss de Patrick Senécal: la métalepse comme instrument du fantastique.” Unpublished paper delivered at the Concordia University International Colloquium, “Le Québec, territoire à occuper: la réception de la science-fiction et du fantastique,” May 4-6, 2006. Aliss de Patrick Senécal: la métalepse comme instrument du fantastique Google Scholar

Larochelle, Claudia. “Pionnier québécois du frisson.” Week-end. Le Journal de Montréal (Oct. 25, 2003): 80. Pionnier québécois du frisson Week-end. Le Journal de Montréal 80 Google Scholar

Lessard, Valérie. “L’Homme par qui l’horreur arrive enfin.” Le Droit (Ottawa-Gatineau; Sept. 27,2003): 7.Mérimée, Prosper. “La Vénus d’Ille.” 1837. La Vénus d’Ille et autres nouvelles. Ed. Antonia Fonyi. Paris: Flammarion, 1982. 31-64. L’Homme par qui l’horreur arrive enfin La Vénus d’Ille et autres nouvelles 31 64 Google Scholar

Modleski, Tania. “The Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory.” 1986. Rep. Film Theory and Criticism. 5th Edition. Ed. Leo Braudy and Marshall Cohen. NY: Oxford UP, 1999. 691-700. The Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory Film Theory and Criticism 691 700 Google Scholar

Morin, Lise. La Nouvelle fantastique québécoise de 1960 à 1985: Entre le hasard et la fatalité. Montréal: Nuit blanche, 1996. La Nouvelle fantastique québécoise de 1960 à 1985: Entre le hasard et la fatalité Google Scholar

Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” 1975. Rep. In Film Theory and Criticism: Introductory Readings. 5th Edition. Ed. Leo Braudy and Marshall Cohen. NY/Oxford: Oxford UP, 1999. 833-844. Visual Pleasure and Narrative Cinema Film Theory and Criticism: Introductory Readings 833 844 Google Scholar

O’Connor, Mary. “Horror, Authors, and Heroes: Gendered Subjects and Objects in Bakhtin and Kristeva.” In David Shepherd, Ed. Bakhtin: Carnival and Other Subjects. Amsterdam: Rodopi, 1993. 242-258. Horror, Authors, and Heroes: Gendered Subjects and Objects in Bakhtin and Kristeva Bakhtin: Carnival and Other Subjects 242 258 Google Scholar

Péan, Stanley. “Danger: Haute Tension.” La Presse (Montréal; Oct. 28, 2001b). Cahier B2.Pinedo, Isabel. Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany: SUNY Press, 1997. Danger: Haute Tension Recreational Terror: Women and the Pleasures of Horror Film Viewing Google Scholar

Ransom, Amy J. The Feminine as Fantastic in the Conte fantastique: Visions of the Other. New York: Peter Lang, 1995. The Feminine as Fantastic in the Conte fantastique: Visions of the Other Google Scholar

Reynolds, Jonathan. Nocturne. Drummondville, Qc: Les Six Brumes, 2005. Nocturne Google Scholar

Sedgwick, Eve Kosofsky. The Coherence of Gothic Conventions. 1976. NY: Methuen, 1986. The Coherence of Gothic Conventions Google Scholar

Senécal, Patrick. 5150, rue des Ormes. 1994. Beauport, Qc: Alire, 2001. 5150, rue des Ormes Google Scholar

Senécal, Patrick. Aliss. Beauport, Qc: Alire, 2000. Aliss Google Scholar

Sernine, Daniel. Quand vient la nuit. Longueil, Qc: Le Préambule, 1983. Quand vient la nuit Google Scholar

Sobchak, Vivian. “Bringing It All Back Home: Family Economy and Generic Exchange.” In Grant 1996. 143-163. Bringing It All Back Home: Family Economy and Generic Exchange 143 163 Google Scholar

Still, Judith. “Horror in Kristeva and Bataille.” Paragraph: The Journal of the Modern Critical Theory Group 20.3 (Nov. 1997): 221-239. Horror in Kristeva and Bataille Paragraph: The Journal of the Modern Critical Theory Group 20 221 239 Google Scholar

Suleiman, Susan. Subversive Intent: Gender, Politics, and the Avant garde. Cambridge: Harvard UP: 1990. Subversive Intent: Gender, Politics, and the Avant garde Google Scholar

Williams, Linda. “When the Woman Looks.” In Grant. 15-34. When the Woman Looks 15 34 Google Scholar

Williams, Tony. “Trying to Survive on the Darker Side: 1980s Family Horror.” In Grant. 164-181. Trying to Survive on the Darker Side: 1980s Family Horror 164 181 Google Scholar

If you have private access to this content, please log in with your username and password here

Details

Author details

Ransom, Amy J.