Al Dowaha/Les Secrets/Secrets. Dir. Raja Amari. Sophie Dulac Distribution, 2009.
Al sitar al asmar/Satin rouge/Red Satin. Dir. Raja Amari. Nomadis Images, ANPA, ADR Productions, Arte France Cinéma, Canal +, CNC, 2002.
Ali Zaoua, Prince de la rue/Ali Zaoua, Prince of the Streets. Dir. Nabil Ayouch. Morocco, Tunisia, France, Belgium, USA, 2000.
Bâ, Saër Maty, and Will Higbee. De-Westernizing Film Studies. Routledge, 2012.
De-Westernizing Film Studies
Bab el Oued City. Dir. Merzak Allouache. Flash Back Audiovisuel, 1994.
Brahimi, Denise. Cinémas d’Afrique francophone et du Maghreb. Nathan, 1997.
Cinémas d’Afrique francophone et du Maghreb
Frindethie, Martial K. Francophone African Cinema: History, Culture, Politics and Theory. McFarland, 2009.
Francophone African Cinema: History, Culture, Politics and Theory
Hargreaves, Alec G., Charles Forsdick & David Murphy, editors. Transnational French Studies: Postcolonialism and Littérature-Monde. Liverpool UP, 2013.
Transnational French Studies: Postcolonialism and Littérature-Monde
Higbee, William. “Beyond the (trans)national: towards a cinema of transvergence.” Studies in French Cinema, vol. 7, no. 2, 2017, pp. 79–91.
Beyond the (trans)national: towards a cinema of transvergence
Studies in French Cinema
7
79
91
Laroche, Josépha, and Alexandre Bohas. Canal + et les majors américaines: une vision désenchantée du cinéma-monde. Éditions Pepper, 2005.
Canal + et les majors américaines: une vision désenchantée du cinéma-monde
Le Bris, Michel. “Pour une Littérature-monde en français.” Pour une Littérature-monde, edited by Michel Le Bris and Jean Rouaud. Gallimard, 2007, pp. 23–53.
Pour une Littérature-monde en français
Pour une Littérature-monde
23
53
Marshall, Bill. “Cinéma-monde ? Towards a concept of Francophone cinema.” Francosphères, vol. 1, no. 1, 2012, pp. 35–51.
Cinéma-monde ? Towards a concept of Francophone cinema
Cinéma-monde
1
35
51
Martin, Florence. Screens and Veils: Maghrebi Women’s Cinema. Indiana UP, 2011.
Screens and Veils: Maghrebi Women’s Cinema
Martin, Florence. “Farida Benlyazid and Juanita Narboni: Two Women from Tangier.” Black Camera, vol. 6, no. 1, 2014, pp. 124–138.
Farida Benlyazid and Juanita Narboni: Two Women from Tangier
Black Camera
6
124
138
Martin, Florence, and Patricia Caillé. “Reel Bad Maghrebi Women.” Bad Arab Girls, edited by Elizabeth Bishop, Rula Quawas, and Nadia Yaqub. Texas UP, forthcoming.
Reel Bad Maghrebi Women
Bad Arab Girls
Monte Carlo Doualiya website, http://www.francemediasmonde.com/page/a-propos-mcd.html
Much Loved. Dir. Nabil Ayouch. Pyramide Distribution, 2015.
Les Palmiers blessés. Dir. Abdellatif Ben Ammar. Algeria & Tunisia, 2011.
Les Poupées d’argile/Clay Dolls/Araïs al-Teïn. Dir. Nouri Bouzid. Tunisia, 2002.
Safa’ih min dhabhab/Les Sabots en or/Golden Horseshoes. Dir. Nouri Bouzid. Tunisia, 1989.
Spaas, Lieve. The Francophone Film: A Struggle For Identity. Manchester UP, 2000.
The Francophone Film: A Struggle For Identity
Strich, Fritz. Goethe und die Weltliteratur. Francke, 1946.
Goethe und die Weltliteratur
Sur la Planche/On the Edge/Ala al Hafa. Dir. Leïla Kilani. Morocco, 2010.
Thackway, Melissa. Africa Shoots Back: Alternative Perspectives in Sub-Saharan African Film. Indiana UP, 2003.
Africa Shoots Back: Alternative Perspectives in Sub-Saharan African Film
Samt al qusur/Les Silences du palais/Silences of the Palace. Dir. Moufida Tlatli. Tunisia, 1993.
La Vida Perra de Juanita Narboni/La Chienne de vie de Juanita Narboni/Juanita bint Tanga/The Wretched Life of Juanita Narboni. Dir. Farida Benlyazid. Morocco, 2005.