Works Cited
American Association of Museums (AAM). Excellence and Equity: Education and the Public Dimension of Museums. Washington, D.C.: American Association of Museums, 1992. Print.
Axel, Elizabeth Salzhauer and Nina Sobel Levent. Art Beyond Sight. New York: Art Education for the Blind and American Foundation for the Blind Press, 2003. Print.
Bunka-cho. “Bunka Geijutsu Kihon-hou.” Bunka-cho. Excerpt in English: “Revisions to the Basic Act on the Promotion of Culture and the Arts.” Agency of Cultural Affairs. Jul. 2017. Web. 3 Dec. 2017.
Bunka-cho. “Bunka program no jisshi ni muketa Bunka-cho no Kihon-kousou.” Bunka-cho. 17 Jul. 2017. Web. 12 Dec. 2017.
Bunka-cho. “Heisei 30 nen do Bunka-cho yosan(an) no gaiyou.” Bunka-cho. 2018. Web. 27 Jan. 2018.
Bunka-cho. “Sanko-shiryou: Heisei 30 nen do Bunka-cho gaisan youkyu no naiyou.” Bunka-cho. 2018. Web. 27 Jan. 2018.
Burdett, Emmeline. “Disability Studies and Modern Responses to Stefan Zweig’s Beware of Pity.” Disability, Avoidance and the Academy. Ed. David Bolt and Claire Penketh. New York: Routledge, 2016. Print.
Garland-Thomson, Rosemarie. Staring: How We Look. Oxford: Oxford UP, 2009. Print.
Handa, Kozue. “Shikaku-shogaisha no hakubutsukan riyou.” Sawatte Tanoshimu Hakubutsukan. Ed. Kojiro Hirose. Tokyo: Seikyu-sha, 2012. 83–85. Print.
Hattori, Tadashi. Outsider Art. Tokyo: Kobun-sha, 2003. Print.
Hattori, Tadashi. “Shougai-sha no Sousaku-koui wo koijin moderu-ka shinai tameni.” REAR 38 (2016): 24–29. Print.
Hein, George E. and Mary Alexander. Museums: Places of Learning. Washington D.C.: American Association of Museums Education Committee, 1998. Print.
Hirose, Kojiro. “The Richness of Touch: the Paradoxical Meaning of Disability in Japanese Culture.” The East Asian Library Journal 13.2 (2009): 59–85. Print.
Hirose, Kojiro. “‘Ri’ de yomitoku universal museum no mirai.” Barrier-Free Symposium, 9 Sep. 2017, Kyoto University, Kyoto. Lecture. Presentation.
Hirose, Kojiro. Sawaru Bunka he no Shoutai. Kyoto: Sekai Shisou-sha, 2009. Print.
Hirose, Kojiro. “‘Shogai no Uchu Model’ no Teian ni Mukete.” Tenmon Kyoiku 29.1 (2017): 39–46. Print.
Hirose, Kojiro. “‘Tegakumon’ Riron no Souzou.” Sawatte Tanoshimu Hakubutsukan: Universal Museum no Kanousei. Ed. Kojiro Hirose. Tokyo: Seikyu-sha, 2012. 92–113. Print.
Hirose, Kojiro and Shin’ya Tateiwa. “Shogai to Souzou wo Megutte.” REAR 38 (2016): 6–23. Print.
Hollins, Heather. “Reciprocity, Accountability, Empowerment: Emancipatory Principles and Practices in the Museum.” Re-Presenting Disability: Activism and Agency in the Museum. Ed. Richard Sandell, Jocelyn Dodd, and Rosemarie Garland-Thomson. New York: Routledge, 2010: 228–43. Print.
Hoshika, Ryoji. “Shakai Model no Bunkiten.” Shogai-gaku no Rihabiriteishon. Ed. Toshiji Kawagoe, Satoshi Kawashima, and Ryoji Hoshika. Tokyo: Seikatsu-shoin, 2013. 20–40. Print.
Inoue, Yoichi. “Kokuritsu-hakubutsukan no genjo to kadai.” Gakujutsu no Doukou 12 (2007): 13–17. Print.
International Council of Museums (ICOM). “Museum Definition.” International Council of Museums. Web. 3 Dec. 2017.
Iris Network. “Misconceptions and Myth about Blindness.” Iris Network. Web. 6 Dec. 2017.
Ishimori, Shuzo. Hakubutsukan Gairon. Tokyo: Hoso Daigaku UP, 2003. Print.
Iwahashi, Seiji. “Zureteru shien, oriau shien.” Zureteru Shien! Ed. Akihisa Teramoto et al. Tokyo: Seikatsu-shoin, 2015. 88–155. Print.
Iwasaki, Yoji. “Mougakkou deno shakaika kyouiku.” Sawatte Tanoshimu Hakubutsukan. Ed. Kojiro Hirose. Tokyo: Seikyu-sha, 2012. 114–22. Print.
Johnson, Geraldine A. “A Taxonomy of Touch: Tactile Encounters in Renaissance Italy.” Sculpture and Touch. Ed. Peter Dent. New York: Taylor and Francis, 2014. Print.
Keith, Hamish. The Big Picture: A History of New Zealand Art from 1962. Auckland: Godwit Book, 2007. Print.
Kinoshita, Tomotake. “Gunritsu-teki shiko no houhou.” Barrier-Free Symposium, 10 Sep. 2017, Kyoto U, Kyoto. Presentation.
Kleege, Georgina. “Blind Self Portraits.” Blind Creations: International Colloquium on Blindness and the Arts, 28 Jun. 2015, University of London, Royal Holloway. Lecture.
Kleege, Georgina. “Some Touching Thoughts and Wishful Thinking.” Disability Studies Quarterly 33.3 (2013). Web. 9 Oct. 2017.
Kleege, Georgina and Rosemarie Garland-Thomson. “‘What Her Body Taught’ Revisited.” Disability and Disciplines: The International Conference on Educational, Cultural, and Disability Studies, 2 Jul. 2015, Liverpool Hope University, Liverpool. Lecture.
Kuppers, Petra. The Scar of Visibility: Medical Performance and Contemporary Art. Minneapolis: University of Minnesota UP, 2007. Print.
Kushino, Nobumasa. “2020 nen wo kettobase!” REAR 38 (2016): 91–94. Print.
Linton, Simi. Claiming Disability: Knowledge and Identity. New York: New York UP, 1998, Print.
Mashimo, Yayoi. “Aspiring Towards Enduring Empowerment: Incorporating Disability Studies Perspectives in the Art History Classroom.” Disability and Disciplines: The International Conference on Educational, Cultural, and Disability Studies, 1 Jul. 2015, Liverpool Hope University, Liverpool. Presentation.
Mashimo, Yayoi. “Tsukuru, tukau, ikasu-Kansho-turu to shiteno shokuzu no kanousei.” Universal Museum Study Group, 19 Nov. 2017, National Museum of Ethnology, Osaka, Japan. Presentation.
Millet-Gallant, Ann and Elizabeth Howie. “Disability and Art History Introduction.” Disability and Art History. Ed. Ann Millet-Gallant. New York: Routledge, 2017. Print.
Mirzoeff, Nicholas. “Blindness and Art.” The Disability Studies Reader. Ed. Lennard J. Davis. New York: Routledge, 1997. Print.
Mitchell, David T. and Sharon L. Snyder. The Biopolitics of Disability. Ann Arbor: Michigan UP, 2015, Print.
Monbu Kagaku-sho. “Gakkou Kihon Chousa.” Monbu Kagaku-sho. 2017. Web. 26 Sep. 2017.
Monbu Kagaku-sho. “Hakubutsukan-su, nyukansha-su, gakugeiin-su no suii.” Monbu Kagaku-sho. Nov. 2011. Web. 7 Dec. 2017.
Nagatsu, Yuichiro. “Art Brut no saki he.” REAR 38 (2016): 30–34. Print.
Nochlin, Linda. “Why Have There Been No Great Women Artists?” Women Artists: The Linda Nochlin Reader. Ed. Maura Reilly. New York: Thames and Hudson, 2015: 42–68. Print.
Siebers, Tobin. Disability Aesthetics. Ann Arbor: Michigan UP, 2010. Print.
Sugino, Akihiro. “Shogai-gaku no ri: tsukuru, ayatsuru, kanaderu.” Barrier-Free Symposium, 9 Sep. 2017, Kyoto U, Kyoto. Lecture.
Takahashi, Ayako. “Popaye to Takeshi wo Tazunete.” REAR 38 (2016): 80–90. Print.
Tateiwa, Shin’ya. “Shikaku-shoku to senmon-sei.” Iryo-shakaigaku wo Manabu Hito no Tameni. Ed. Kuroda, Koichiro and Yuzo Shindo. Kyoto: Sekai Shiso-sha, 1999. 139–59. Print.
TOCOG (Tokyo Organising Committee of the Olympic and Paralympic Games). “Cultural Olympiad no Concept.” Action and Legacy, Tokyo Organising Committee of the Olympic and Paralympic Games. Jul. 2017. Web. 12 Dec. 2017.
Yoshida, Kenji. Hakubutsukan Gairon. Tokyo: Hoso Daigaku UP, 2011. Print.
American Association of Museums (AAM). Excellence and Equity: Education and the Public Dimension of Museums. Washington, D.C.: American Association of Museums, 1992. Print.
Axel, Elizabeth Salzhauer and Nina Sobel Levent. Art Beyond Sight. New York: Art Education for the Blind and American Foundation for the Blind Press, 2003. Print.
Bunka-cho. “Bunka Geijutsu Kihon-hou.” Bunka-cho. Excerpt in English: “Revisions to the Basic Act on the Promotion of Culture and the Arts.” Agency of Cultural Affairs. Jul. 2017. Web. 3 Dec. 2017.
Bunka-cho. “Bunka program no jisshi ni muketa Bunka-cho no Kihon-kousou.” Bunka-cho. 17 Jul. 2017. Web. 12 Dec. 2017.
Bunka-cho. “Heisei 30 nen do Bunka-cho yosan(an) no gaiyou.” Bunka-cho. 2018. Web. 27 Jan. 2018.
Bunka-cho. “Sanko-shiryou: Heisei 30 nen do Bunka-cho gaisan youkyu no naiyou.” Bunka-cho. 2018. Web. 27 Jan. 2018.
Burdett, Emmeline. “Disability Studies and Modern Responses to Stefan Zweig’s Beware of Pity.” Disability, Avoidance and the Academy. Ed. David Bolt and Claire Penketh. New York: Routledge, 2016. Print.
Garland-Thomson, Rosemarie. Staring: How We Look. Oxford: Oxford UP, 2009. Print.
Handa, Kozue. “Shikaku-shogaisha no hakubutsukan riyou.” Sawatte Tanoshimu Hakubutsukan. Ed. Kojiro Hirose. Tokyo: Seikyu-sha, 2012. 83–85. Print.
Hattori, Tadashi. Outsider Art. Tokyo: Kobun-sha, 2003. Print.
Hattori, Tadashi. “Shougai-sha no Sousaku-koui wo koijin moderu-ka shinai tameni.” REAR 38 (2016): 24–29. Print.
Hein, George E. and Mary Alexander. Museums: Places of Learning. Washington D.C.: American Association of Museums Education Committee, 1998. Print.
Hirose, Kojiro. “The Richness of Touch: the Paradoxical Meaning of Disability in Japanese Culture.” The East Asian Library Journal 13.2 (2009): 59–85. Print.
Hirose, Kojiro. “‘Ri’ de yomitoku universal museum no mirai.” Barrier-Free Symposium, 9 Sep. 2017, Kyoto University, Kyoto. Lecture. Presentation.
Hirose, Kojiro. Sawaru Bunka he no Shoutai. Kyoto: Sekai Shisou-sha, 2009. Print.
Hirose, Kojiro. “‘Shogai no Uchu Model’ no Teian ni Mukete.” Tenmon Kyoiku 29.1 (2017): 39–46. Print.
Hirose, Kojiro. “‘Tegakumon’ Riron no Souzou.” Sawatte Tanoshimu Hakubutsukan: Universal Museum no Kanousei. Ed. Kojiro Hirose. Tokyo: Seikyu-sha, 2012. 92–113. Print.
Hirose, Kojiro and Shin’ya Tateiwa. “Shogai to Souzou wo Megutte.” REAR 38 (2016): 6–23. Print.
Hollins, Heather. “Reciprocity, Accountability, Empowerment: Emancipatory Principles and Practices in the Museum.” Re-Presenting Disability: Activism and Agency in the Museum. Ed. Richard Sandell, Jocelyn Dodd, and Rosemarie Garland-Thomson. New York: Routledge, 2010: 228–43. Print.
Hoshika, Ryoji. “Shakai Model no Bunkiten.” Shogai-gaku no Rihabiriteishon. Ed. Toshiji Kawagoe, Satoshi Kawashima, and Ryoji Hoshika. Tokyo: Seikatsu-shoin, 2013. 20–40. Print.
Inoue, Yoichi. “Kokuritsu-hakubutsukan no genjo to kadai.” Gakujutsu no Doukou 12 (2007): 13–17. Print.
International Council of Museums (ICOM). “Museum Definition.” International Council of Museums. Web. 3 Dec. 2017.
Iris Network. “Misconceptions and Myth about Blindness.” Iris Network. Web. 6 Dec. 2017.
Ishimori, Shuzo. Hakubutsukan Gairon. Tokyo: Hoso Daigaku UP, 2003. Print.
Iwahashi, Seiji. “Zureteru shien, oriau shien.” Zureteru Shien! Ed. Akihisa Teramoto et al. Tokyo: Seikatsu-shoin, 2015. 88–155. Print.
Iwasaki, Yoji. “Mougakkou deno shakaika kyouiku.” Sawatte Tanoshimu Hakubutsukan. Ed. Kojiro Hirose. Tokyo: Seikyu-sha, 2012. 114–22. Print.
Johnson, Geraldine A. “A Taxonomy of Touch: Tactile Encounters in Renaissance Italy.” Sculpture and Touch. Ed. Peter Dent. New York: Taylor and Francis, 2014. Print.
Keith, Hamish. The Big Picture: A History of New Zealand Art from 1962. Auckland: Godwit Book, 2007. Print.
Kinoshita, Tomotake. “Gunritsu-teki shiko no houhou.” Barrier-Free Symposium, 10 Sep. 2017, Kyoto U, Kyoto. Presentation.
Kleege, Georgina. “Blind Self Portraits.” Blind Creations: International Colloquium on Blindness and the Arts, 28 Jun. 2015, University of London, Royal Holloway. Lecture.
Kleege, Georgina. “Some Touching Thoughts and Wishful Thinking.” Disability Studies Quarterly 33.3 (2013). Web. 9 Oct. 2017.
Kleege, Georgina and Rosemarie Garland-Thomson. “‘What Her Body Taught’ Revisited.” Disability and Disciplines: The International Conference on Educational, Cultural, and Disability Studies, 2 Jul. 2015, Liverpool Hope University, Liverpool. Lecture.
Kuppers, Petra. The Scar of Visibility: Medical Performance and Contemporary Art. Minneapolis: University of Minnesota UP, 2007. Print.
Kushino, Nobumasa. “2020 nen wo kettobase!” REAR 38 (2016): 91–94. Print.
Linton, Simi. Claiming Disability: Knowledge and Identity. New York: New York UP, 1998, Print.
Mashimo, Yayoi. “Aspiring Towards Enduring Empowerment: Incorporating Disability Studies Perspectives in the Art History Classroom.” Disability and Disciplines: The International Conference on Educational, Cultural, and Disability Studies, 1 Jul. 2015, Liverpool Hope University, Liverpool. Presentation.
Mashimo, Yayoi. “Tsukuru, tukau, ikasu-Kansho-turu to shiteno shokuzu no kanousei.” Universal Museum Study Group, 19 Nov. 2017, National Museum of Ethnology, Osaka, Japan. Presentation.
Millet-Gallant, Ann and Elizabeth Howie. “Disability and Art History Introduction.” Disability and Art History. Ed. Ann Millet-Gallant. New York: Routledge, 2017. Print.
Mirzoeff, Nicholas. “Blindness and Art.” The Disability Studies Reader. Ed. Lennard J. Davis. New York: Routledge, 1997. Print.
Mitchell, David T. and Sharon L. Snyder. The Biopolitics of Disability. Ann Arbor: Michigan UP, 2015, Print.
Monbu Kagaku-sho. “Gakkou Kihon Chousa.” Monbu Kagaku-sho. 2017. Web. 26 Sep. 2017.
Monbu Kagaku-sho. “Hakubutsukan-su, nyukansha-su, gakugeiin-su no suii.” Monbu Kagaku-sho. Nov. 2011. Web. 7 Dec. 2017.
Nagatsu, Yuichiro. “Art Brut no saki he.” REAR 38 (2016): 30–34. Print.
Nochlin, Linda. “Why Have There Been No Great Women Artists?” Women Artists: The Linda Nochlin Reader. Ed. Maura Reilly. New York: Thames and Hudson, 2015: 42–68. Print.
Siebers, Tobin. Disability Aesthetics. Ann Arbor: Michigan UP, 2010. Print.
Sugino, Akihiro. “Shogai-gaku no ri: tsukuru, ayatsuru, kanaderu.” Barrier-Free Symposium, 9 Sep. 2017, Kyoto U, Kyoto. Lecture.
Takahashi, Ayako. “Popaye to Takeshi wo Tazunete.” REAR 38 (2016): 80–90. Print.
Tateiwa, Shin’ya. “Shikaku-shoku to senmon-sei.” Iryo-shakaigaku wo Manabu Hito no Tameni. Ed. Kuroda, Koichiro and Yuzo Shindo. Kyoto: Sekai Shiso-sha, 1999. 139–59. Print.
TOCOG (Tokyo Organising Committee of the Olympic and Paralympic Games). “Cultural Olympiad no Concept.” Action and Legacy, Tokyo Organising Committee of the Olympic and Paralympic Games. Jul. 2017. Web. 12 Dec. 2017.
Yoshida, Kenji. Hakubutsukan Gairon. Tokyo: Hoso Daigaku UP, 2011. Print.