Alcalá Iberri, María del Socorro, 2004. Las muertas de Juárez. La voz viva de las muertas (México, D.F: Editorial Libra).
Las muertas de Juárez. La voz viva de las muertas
Blake, Linnie, 2002. ‘Serial Killers, the FBI and America's Last Frontier’, en Stacy Gillis y Philippa Gates (eds), The Devil Himself: Villainy in Dectective Fiction and Film (Westport, CT: Greenwood Press).
The Devil Himself: Villainy in Dectective Fiction and Film
Bruzzi, Stella, 2000. New Documentary: A Critical Introduction (New York: Routledge).
New Documentary: A Critical Introduction
Cahill, Ann J., 2001. Rethinking Rape (Ithaca, NY: Cornell University Press).
Rethinking Rape
Carroll, Amy Sara, 2006. ‘"Accidental Allegories" Meet "The Performative Documentary": Boys-town, Señorita Extraviada, and the Border-Brothel-Maquiladora Paradigm’, Signs: Journal of Women in Culture and Society, 31.2: 357-96.
‘Accidental Allegories Meet "The Performative Documentary": Boys-town, Señorita Extraviada, and the Border-Brothel-Maquiladora Paradigm’
Signs: Journal of Women in Culture and Society
31
357
96
Creed, Barbara, 2003. Media Matrix. Sexing the New Reality (Sydney, Australia: Allen & Unwin).
Media Matrix. Sexing the New Reality
De la Mora, Sergio, 2005. ‘Terrorismo de género en la frontera EUA-México. Asesinato, mujeres, y justicia en Señorita extraviada (2001) de Lourdes Portillo’. Publicación digital: http://www.elojoquepiensa.udg.mx/espanol/revis_01/secciones/cinejour/artic_05.pdf
Frederick, Sharon, and The Aware Committee on Rape, 2001. RAPE. Weapon of Terror (River Edge, NJ: Global Publishing).
RAPE. Weapon of Terror
Fregoso, Rosa Linda, 2001. Lourdes Portillo: The Devil Never Sleeps and Other Films (Austin, TX: University of Texas Press).
Lourdes Portillo: The Devil Never Sleeps and Other Films
Gavey, Nicola, 2005. Just Sex? The Cultural Scaffolding of Rape (New York: Routledge).
Just Sex? The Cultural Scaffolding of Rape
Gillis, Stacy, y Philippa Gates (eds), 2002. The Devil Himself: Villainy in Detective Fiction and Film (Westport, CT: Greenwood Press).
The Devil Himself: Villainy in Detective Fiction and Film
González Rodríguez, Sergio, 2001. ‘Muertas sin fin’, en José Luis Trueba Lara (ed.), Crónica negra del crimen en México. De Goyo Cárdenas a las muertas de Juárez (Barcelona: Plaza y Janés).
Crónica negra del crimen en México. De Goyo Cárdenas a las muertas de Juárez
Horeck, Tanya, 2004. Public Rape. Representing Violation in Fiction and Film (New York: Routledge).
Public Rape. Representing Violation in Fiction and Film
Irons, Glenwood (ed.), 1995. Feminism in Women's Detective Fiction (Toronto: University of Toronto Press).
Feminism in Women's Detective Fiction
Klein, Kathleen Gregory, 1988. The Woman Detective. Gender & Genre (Urbana, IL: University of Illinois Press).
The Woman Detective. Gender & Genre
Lipkin, S., D. Paget y J. Roscoe, 2006. ‘Docudrama and Mock-Documentary: Defining Terms, Proposing Canons’, en Gary D. Rhodes and John Parris Springer (eds), Docufictions. Essays on the Intersection of Documentary and Fictional Filmmaking (Jefferson, NC: McFarland).
Docufictions. Essays on the Intersection of Documentary and Fictional Filmmaking
Madigan, Lee, y Nancy C. Gamble, 1989. The Second Rape. Society's Continued Betrayal of the Victim (New York: Lexington Books).
The Second Rape. Society's Continued Betrayal of the Victim
McHugh, Kathleen, 2005. ‘History and Falsehood in Experimental Autobiographies’, en Jean Petrolle and Virginia Wright Wexman (eds), Women and Experimental Filmmaking (Urbana, IL: University of Illinois Press).
Women and Experimental Filmmaking
Nichols, Bill, 1994. Blurred Boundaries: Questions of Meaning in Contemporary Culture (Bloomington, IN: Indiana University Press).
Blurred Boundaries: Questions of Meaning in Contemporary Culture
Noriega, Chon A., 2000. Shot in America. Television, the State and the Rise of Chicano Cinema (Minneapolis, MN: University of Minnesota Press).
Shot in America. Television, the State and the Rise of Chicano Cinema
Ortega, Gregorio, 1999. Las muertas de Ciudad Juárez. El caso de Elizabeth Castro García y Abdel Latif Sharif Sharif (México D.F.: Fontamara).
Las muertas de Ciudad Juárez. El caso de Elizabeth Castro García y Abdel Latif Sharif Sharif
Petrich, Blanche, 2006. ‘Las muertas de Juárez’, en Blanca A. Aguilar Plata et al., La violencia nuestra de cada día (México D.F.: Plaza y Valdés).
La violencia nuestra de cada día
Plantinga, Carl, 2005. ‘What a Documentary Is After All’, The Journal of Aesthetics and Art Criticism, 63: 2 (Spring): 105-117.
‘What a Documentary Is After All’
The Journal of Aesthetics and Art Criticism
63
105
117
Portillo, Lourdes (dir.), 200. Señorita extraviada/Missing Young Woman (Xochitl/Women Make Movies).
Radford, Jill, y Diana E. H. Russell (eds), 1992. Femicide. The Politics of Woman-Killing (New York: Twayne Publishers).
Femicide. The Politics of Woman-Killing
Rhodes, Gary D., y John Parris Springer (eds), 2006. Docufictions. Essays on the Intersection of Documentary and Fictional Filmmaking (Jefferson, NC: McFarland).
Docufictions. Essays on the Intersection of Documentary and Fictional Filmmaking
Roscoe, Jane, y Craig Hight, 2001. Faking It. Mock-documentary and the Subversion of Factuality (Manchester: Manchester University Press).
Faking It. Mock-documentary and the Subversion of Factuality
Russell, Diana E. H., y Roberta A. Harmes (eds), 2001. Femicide in Global Perspective (New York: Teachers College Press).
Femicide in Global Perspective
Scheibler, Susan, 1993. ‘Constantly Performing the Documentary: The Seductive Promise of Lighting Over Water’, en Michael Renov (ed.), Theorizing Documentary (New York: Routledge), pp. 135-50.
Theorizing Documentary
135
50
Segura, Denise A., y Patricia Zavella (eds), (2007). Women and Migration in the U.S.-Mexico Borderlads: A Reader (Durham, NC: Duke University Press).
Women and Migration in the U.S.-Mexico Borderlads: A Reader
Wright, Melissa W., 2006. Disposable Women and Other Myths of Global Capitalism (New York: Routledge).
Disposable Women and Other Myths of Global Capitalism