Alten, Stanley (1999) Audio in Media, Syracuse: Wadsworth Publishing Company
Audio in Media
Altman, Rick (1980) 'Moving lips: cinema as ventriloquism', in Yale French Studies, no. 60
Altman, Rick (1992) 'Material heterogeneity of recorded sound', in Rick Altman (ed.) Sound Theory, Sound Practice, London: Routledge, 15–31
Material heterogeneity of recorded sound
Sound Theory, Sound Practice
15
31
Altman, Rick (1999) Film/genre, London: BFI
Film/genre
Auslander, Philip (2008) Liveness: Performance in a Mediatised Culture, London and New York: Routledge
Liveness: Performance in a Mediatised Culture
Auner, Joseph, (2000) 'Making old machines speak: images of technology in recent music', ECHO 2.2. Available at www.humnet.ucla.edu/echo
Bartlett, Bruce (1991) Stereo Microphone Techniques, Boston and London: Focal Press
Stereo Microphone Techniques
Bartlett, Frederick (1932) Remembering: a study in experimental and social psychology, Cambridge: Cambridge University Press
Remembering: a study in experimental and social psychology
Bergson, Henri (1991, orig. 1896) Matter and Memory, trans. Nancy Margaret Paul and W. Scott Palmer, New York: Zone
Christov-Bakargiev, Carolyn (2001) 'An intimate distance riddled with gaps: the art of Janet Cardiff', in Janet Cardiff: a survey of works including collaborations with George Bures Miller, New York: P.S.1 MOMA, 14–35
An intimate distance riddled with gaps: the art of Janet Cardiff
Janet Cardiff: a survey of works including collaborations with George Bures Miller
14
35
Christov-Bakargiev, Carolyn (2003) Janet Cardiff – George Bures Miller, exhibition catalogue, Astrup Fearnley Museum, Oslo
Chion, Michel (1999) The Voice in Cinema, trans. Claudia Gorbman, New York: Columbia University Press
Connor, Steve (2003) 'Ears have walls: on hearing art', a talk given in the series Bodily Knowledges: challenging ocularcentricity at Tate Modern, 21 February, published in FO A RM, 4 (2005), 48–57. Also available at http://www.stevenconnor.com/earshavewalls/
Dijck, José van, (2007) Mediated memories in the digital age, Stanford, California: Stanford University Press
Mediated memories in the digital age
Doane, Mary Ann (1985) 'The voice in the cinema: the articulation of body and space', in Elizabeth Weis and John Belton (eds.) Film Sound, New York: Columbia University Press
The voice in the cinema: the articulation of body and space
Film Sound
Eidsvik, Charles (2005) 'Background track in recent cinema', in Joseph D. Anderson and Barbara Fisher Anderson (eds.) Moving Image Theory, Carbondale: Southern Illinois University Press
Background track in recent cinema
Moving Image Theory
Fickers, Andreas, (2009) 'Tuning in nostalgic wavelengths: transistor memories set to music', in Sound souvenirs: audio technologies, memory and cultural practices, Karin Bijsterveld and José van Dijck (eds.), Amsterdam: Amsterdam University Press, 123–38
Tuning in nostalgic wavelengths: transistor memories set to music
Sound souvenirs: audio technologies, memory and cultural practices
123
38
Fisher, Jennifer (1999) 'Speeches of display: the museum audio guides of Sophie Calle, Andrea Fraser and Janet Cardiff ', Parachute Magazine 94, 25–31
Speeches of display: the museum audio guides of Sophie Calle, Andrea Fraser and Janet Cardiff
Parachute Magazine
94
25
31
Frith, Simon (1998) Performing Rites: evaluating popular music, Oxford: Oxford University Press
Performing Rites: evaluating popular music
Gosetti-Ferencei, Jennifer Anna (2005) 'Trompe l'oeil and the mimetic tradition in aesthetics' in Anne-Teresa Tymieniecka (ed.) Human Creation between Reality and Illusion, part of the series Analecta Husserliana: the yearbook of phenomenological research, vol. 87, Dordrecht: Springer, 79–93
Hall, Edward T. (1969) The Hidden Dimension: man's use of space in public and private, London: The Bodley Head
The Hidden Dimension: man's use of space in public and private
Ihde, Don (1990) Technology and the Lifeworld, The Indiana Series in the Philosophy of Technology, Bloomington: Indiana University Press
The Indiana Series in the Philosophy of Technology
Technology and the Lifeworld
Ihde, Don (2007, orig. 1976), Listening and Voice: phenomenologies of sound. New York: State University of New York Press
Iles, Chrissie, et al. (2003) 'Round Table: The Projected Image in Contemporary Art', October, no. 104 (Spring), Cambridge, Massachusetts: MIT Press, 71–96
Kozloff, Sarah (2000) Overhearing Film Dialogues, Berkeley: University of California Press
Overhearing Film Dialogues
Lastra, James (1992) 'Reading, writing, and representing sound', in Rick Altman (ed.) Sound Theory, Sound Practice, London: Routledge, 65–86
Reading, writing, and representing sound
Sound Theory, Sound Practice
65
86
Lundeby, Anne-Karin (2002) Elsker man livet, 'Går man på kino' – en studie av kinopublikumet i Ouagadougou, Burkina Faso, Master's thesis, University of Oslo
Maasø, Arnt, (2002) 'Se-hva-som-skjer!': en studie av lyd som kommunikativt virkemiddel i TV, doctoral thesis, University of Oslo
Schaub, Mirjam (2005) Janet Cardiff: the walk book, Cologne: Verlag Der Buchhandlung Walther Konig
Janet Cardiff: the walk book
Silverman, Kaja (1988) The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema, Indiana University Press
The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema
Sterne, Jonathan (2003) The Audible Past: cultural origins of sound reproduction, Duke University Press
The Audible Past: cultural origins of sound reproduction
Sterne, Jonathan (2006) 'The Death and Life of Digital Audio', Interdisciplinary Science Reviews, 2006, Vol. 31, No. 4, 338–48
Trummer, Thomas (ed.) (2007) Voice and Void, Vienna: RemaPrint
Voice and Void
Turim, Maureen (1989) Flashbacks in Film: memory and history, New York: Routledge
Flashbacks in Film: memory and history
Verbeek, Peter-Paul (2005) What Things Do: Philosophical reflections on technology, agency and design, trans. Robert P. Crease, Pennsylvania: Pennsylvania State University Press