Works cited
Beck, Ulrich. Risk Society: Towards a New Modernity. 1986. Trans. Mark Ritter. Thousand Oaks, CA: SAGE Publications, 1992.
Berlant, Lauren. ‘Slow Death (Sovereignty, Obesity, Lateral Agency)’. Critical Inquiry 33.4 (2007): 754-80.
Cho, Won-il. ‘The Dioxin from Camp Market, Can We Make the US Pay the Purification Cost?’; 다이옥신 검출된 캠프 마켓, 이번엔 미군 정화비용 받아낼까’. Hankookilbo (21 Nov 2017). www.hankookilbo.com/v_print.aspx?id=6262dcc687c4405489673950a3d85068. Accessed 1 Dec 2017.
Davis, Heather and Zoe Todd. ‘On the Importance of a Date, or Decolonizing the Anthropocene’. ACME: An International Journal for Critical Geographies 16.4 (2017): 761-80.
Esposito, Robert. Immunitas: The Protection and Negation of Life. Cambridge: Polity, 2017.
Galbraith, John Kenneth. The Affluent Society. 1958. Boston: Mariner Books, 1998.
Guha, Ramachandra and Joan Martinez-Alier. Varieties of Environmentalism: Essays North and South. London: Earthscan Publication, 1997.
Hong, In-wook. ‘The Basement Dwelling and Basement Rent’; 지하주거와 지하셋방. Urbanity and Poverty 55 (2002): 5-18.
Hong, In-wook. ‘The Basement Dwelling in Korea’; 지하주거의 실태와 문제점. Journal of Urban Studies 8 (2002): 58-96.
Hooley, Matt. ‘Reading Vulnerably: Indigeneity and the Scale of Harm’. Anthropocene Reading: Literary History in Geologic Times. Ed. Tobias Menely and Jesse Oak Taylor. State College, PA: Penn State UP, 2017. 184-201.
Hsu, Hsuan L. ‘The Dangers of Biosecurity: The Host and the Geopolitics of Outbreak’. Jump Cut: A Review of Contemporary Media 51 (2009). https://www.ejumpcut.org/archive/jc51.2009/Host/. Accessed 22 Jan 2021.
Hwang, Jin-mee. ‘An Ode to Parasite. This Is Not a Patriotic Film’; 기생충’을 위한 헌사. 이건 ‘국뽕’이 아니다. Entermedia.co.kr (15 Jun 2019). http://m.entermedia.co.kr/news_view.html?idx=9675#cb. Accessed 22 Nov 2019.
Jeong, Seong-il. ‘Obvious and Resolute Political Coming Out, The Host’; 노골적이고 단 호한 정치적 커밍아웃, >괴물>. Cine21 (16 Aug 2006). www.cine21.com/news/view/?mag_id=40622. Accessed 1 Dec 2017.
Klein, Christina. ‘Why American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-ho’. American Quarterly 60.4 (2008): 871-98.
Kopian, Steve. ‘Bong Joon Ho and the cast of PARASITE have a post screening Q&A 10/7/19’. YouTube, commentary by Bong Joon-ho (7 Oct 2019). https://youtu.be/_QtcXrv8tyE. Accessed 22 Nov 2019.
Lee, Hwajeong. ‘Asking Questions to Bong Joon-ho about Parasite’; 봉준호 감독을 만나 >기생충>에 대해 묻다. Cine21.com (11 Apr 2019). http://www.cine21.com/news/view/?mag_id=92747. Accessed 22 Nov 2019.
Marx, Karl. Capital: A Critique of Political Economy. 1867. Trans. Ben Fowkes. New York: Penguin, 1976.
Mbembe, Achille. ‘Necropolitics’. Public Culture 15.1 (2003): 11-40.
Mun, Suk. ‘Bong Joon-ho’s The Host [2] - An Interview’; 봉준호의 >괴물> [2] - 감독 인 터뷰. Cine21.com (20 Jul 2006). http://www.cine21.com/news/view/?mag_id=39953. Accessed 22 Nov 2019.
Murphy, Michelle. Sick Building Syndrome and the Problem of Uncertainty. Durham, NC: Duke UP, 2006.
Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Cambridge, MA: Harvard UP, 2011.
Paiella, Gabriella. ‘Parasite Director Bong Joon-ho on the Art of Class Warfare’. GQ (8 Oct 2019). https://www.gq.com/story/parasite-director-bong-joon-ho-interview. Accessed by 22 Nov 2019.
Park, Chang-soo. ‘Don’t Follow a Fumigator Car’ … Most of the Chemical Contains Toxic Materials’; ‘소독차 따라다니지 마세요’ … 상당수 약품서 독성물질. Yonhap News (14 Jul 2016). https://www.yna.co.kr/view/AKR20160714134500051. Accessed 22 Nov 2019.
Taylor, Brandon. ‘The Ideological Train to Globalization: Bong Joon-ho’s The Host and Snowpiercer’. CineAction 98 (2016): 44-8.
Wald, Priscilla. Contagious: Cultures, Carriers, and the Outbreak Narrative. Durham, NC: Duke UP, 2008.
Weheliye, Alexander G. Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human. Durham, NC: Duke UP, 2014.
Whyte, Kyle Powys. ‘Our Ancestors’ Dystopia Now: Indigenous Conservation and the Anthropocene’. The Routledge Companion to The Environmental Humanities. Ed. Ursula K. Heise, Jopn Christensen and Michelle Niemann. New York: Routledge, 2017. 206-15.