Obras citadas
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Agra, María Xosé, 2015. ‘Violencia(s): hacer correr la sangre’, en Tras la pista: narrativa criminal escrita por mujeres, eds. Elena Losada y Katarzyna Paszkiewicz. (Barcelona: Icaria), pp. 19-39.
Avanzas Álvarez, Elena, 2017. ‘Crímenes, domesticidad y tradición: el domestic noir y su llegada a España’, Oculta Lit, 27 de marzo. www.ocultalit.com/ensayo/crimenes-domesticidad-tradicion-domestic-noir/. Último acceso 28 abril 2021.
Cain, Ruth, 2016. ‘“Just What Kind of Mother Are You?”: Neoliberal Guilt and Privatised Maternal Responsibility in Recent Domestic Crime Fiction’, en We Need to Talk about Family: Essays on Neoliberalism, the Family and Popular Culture, eds. Roberta Garrett, Tracey Jensen y Angie Voela. (Newcastle upon Tyne: Cambridge Scholars), pp. 289-311.
Cardi, Coline, y Geneviève Pruvost (coords.), 2012. Penser la violence des femmes (París: La Découverte).
Clover, Carol J., 1992. Men, Women, and Chain Saws: Gender in the Modern Horror Film (Princeton, NJ: Princeton University Press).
Collin, Françoise, 2006. Praxis de la diferencia: liberación y libertad, ed. lit. Marta Segarra. (Barcelona: Icaria).
Colmeiro, José, 2015. ‘Novela policiaca, novela política’, Lectora: Revista de Dones i Textualitat 21: 15-29.
Coulthard, Lisa, 2007. ‘Killing Bill: Rethinking Feminism and Film Violence’, en Interrogating Postfeminism: Gender and the Politics of Popular Culture, eds. Yvonne Tasker y Diane Negra. (Durham, NC: Duke University Press), pp. 153-75.
Craig-Odders, Renée W., y Jacky Collins (eds.), 2006. Crime Scene Spain: Essays on Post-Franco Crime Fiction (Jefferson, NC: McFarland).
Creed, Barbara, 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis (Londres y Nueva York: Routledge).
De Lauretis, Teresa, 2007. Figures of Resistance: Essays in Feminist Theory, ed. Patricia White. (Urbana y Chicago, IL: University of Illinois Press).
Flynn, Gillian, 2012. Gone Girl (Nueva York: Crown Publishing).
Friedan, Betty, 1992 [1963]. The Feminine Mystique (Londres: Penguin).
Genz, Stéphanie, 2008. ‘I Am Not a Housewife, but…. Postfeminism and the Revival of Domesticity’, en Feminism, Domesticity and Popular Culture, eds. Stacy Gillis y Joanne Hollows. (Londres: Routledge), pp. 49-62.
Gill, Rosalind, y Christina Scharff (eds.), 2011. New Femininities: Postfeminism, Neoliberalism and Subjectivity (Basingstoke, UK: Palgrave Macmillan).
Giménez Bartlett, Alicia, 1998. ‘Muerte en el gimnasio’, en Historias de detectives, ed. Ángeles Encinar. (Barcelona: Lumen), pp. 199-224.
Godsland, Shelley, 2002. ‘From Feminism to Postfeminism in Women’s Detective Fiction from Spain: The Case of Maria-Antònia Oliver and Alicia Giménez-Bartlett’, Letras Femeninas 28.1: 84-99.
Godsland, Shelley, 2007. Killing Carmens: Women’s Crime Fiction from Spain (Cardiff: University of Wales).
Halberstam, Judith, 1993. ‘Imagined Violence/ Queer Violence: Representation, Rage, and Resistance’, Social Text 37: 187-201.
Hart, Patricia, 1987. The Spanish Sleuth: The Detective in Spanish Fiction (Rutherford, NJ: Fairleigh Dickinson University Press).
Hollows, Joanne, 2006. ‘Can I Go Home Yet? Feminism, Post-Feminism and Domesticity’, en Feminism in Popular Culture, eds. Joanne Hollows y Rachel Moseley. (Oxford: Berg), pp. 97-118.
Joyce, Laura, 2018. ‘Introduction to Domestic Noir’, en Domestic Noir: The New Face of 21st Century Crime Fiction, eds. Laura Joyce y Henry Sutton. (Cham, Switzerland: Palgrave Macmillan), pp. 1-7.
Joyce, Laura, y Henry Sutton (eds.), Domestic Noir: The New Face of 21st Century Crime Fiction (Cham, Switzerland: Palgrave Macmillan).
King, Stewart, 2015. ‘La recuperació de la tradició femenina de la novel·la policíaca clàssica en l’obra criminal de Teresa Solana’, Lectora: Revista de Dones i Textualitat 21: 31-44.
Matchar, Emily, 2013. Homeward Bound: Why Women Are Embracing the New Domesticity (Nueva York: Simon & Schuster).
Molinaro, Nina L., 2002. ‘Writing the Wrong Rites?: Rape and Women’s Detective Fiction in Spain’, Letras Femeninas 28.1: 100-17.
Negra, Diane, 2009. What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism (Londres: Routledge).
Pasqual i Escrivà, Gemma, 2015. ‘La carnissera’, en Noves dames del crim, ed. Anna Maria Villalonga. (Barcelona: Llibres del Delicte), pp. 189-98.
Paul, Marcie, 2006. ‘After Eden: Images of the Garden in Alicia Giménez Bartlett’s Petra Delicado Series’, en Crime Scene Spain: Essays on Post-Franco Crime Fiction, ed. Renée W. Craig-Odders y Jacky Collins. (Jefferson, NC: McFarland), pp. 93-117.
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Redhead, Leigh, 2018. ‘Teenage Kicks: Performance and Postfeminism in Domestic Noir’, en Domestic Noir: The New Face of 21st Century Crime Fiction, eds. Laura Joyce y Henry Sutton. (Cham, Switzerland: Palgrave Macmillan), pp. 115-35.
Ribas, Rosa, 2015. ‘Els noms dels animals’, en Noves dames del crim, ed. Anna Maria Villalonga. (Barcelona: Llibres del Delicte), pp. 27-43.
Rincón, Reyes, 2019. ‘El Supremo concluye que La Manada actuó “con pleno conocimiento” de que la victima no consintió’, El País, 5 de julio. elpais.com/sociedad/2019/07/05/actualidad/1562318324_192613.html. Último acceso 22 octubre 2021.
Rowe Karlyn, Kathleen, 2011. Unruly Girls, Unrepentant Mothers: Redefining Feminism on Screen (Austin: University of Texas Press).
Santaulària, Isabel, 2008. ‘Un estudio en negro: la ficción de detectives anglosajona, desde sus orígenes a la actualidad’, en Género y cultura popular, ed. Isabel Clúa. (Bellaterra: Universitat Autònoma de Barcelona), pp. 65-108.
Sjoberg, Laura, y Caron E. Gentry, 2007. Mothers, Monsters, Whores. Women’s Violence in Global Politics (Londres y Nueva York: Zed Books).
Subirana, Jaume, 1985. ‘Carnisseria’, en Pel viure extrem (Barcelona: Edicions Proa), pp. 45-46.
Tasker, Yvonne, y Diane Negra (eds.), 2007. Interrogating Postfeminism: Gender and the Politics of Popular Culture (Durham, NC: Duke University Press).
Vallejo, Susana, 2013. ‘Un reflex a la mirada’, en Elles també maten, ed. Anna Maria Villalonga. (Barcelona: Llibres del Delicte).
Villalonga, Anna Maria (ed.), 2013. Elles també maten (Barcelona: Llibres del Delicte).
Villalonga, Anna Maria (ed.), 2015. Noves dames del crim (Barcelona: Llibres del Delicte).
Villalonga, Anna Maria, 2017. ‘El relat negre femení en català: per què maten les dones? De la dona defensora a la dona botxí’, en Violència i identitat, eds. Francesco Ardolino i Elena Losada. (Barcelona: Edicions de la Universitat de Barcelona), pp. 27-38.
Vosburg, Nancy, y Nina L. Molinaro (eds.), 2017. Spanish and Latin American Women’s Crime Fiction in the New Millennium: From Noir to Gris (Newcastle upon Tyne: Cambridge Scholars).
Wager, Jans B., 2005. Dangerous Dames: Women and Representation in the Weimar Street Film and Film Noir (Athens: Ohio University Press).
Weinman, Sarah (ed.), 2013a. Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Suspense (Nueva York: Penguin).
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Filmografía
Basic Instinct. 1992, dir. Paul Verhoeven (Corolco Pictures; Canal+).
The Big Combo. 1955, dir. Joseph H. Lewis (Security Pictures; Theodora Productions).
Body Heat. 1981, dir. Lawrence Kasdan (The Ladd Company).
The Butcher. 2006, dir. Edward Gorsuch (MRG Entertainment; Mainline Releasing).
The Cook, The Thief, His Wife and Her Lover. 1989, dir. Peter Greenaway (AllArts; Elsevier-Vendex Film Beheer).
Halloween. 1978, dir. John Carpenter (Compass International Pictures; Falcon International Productions).
In a Lonely Place. 1950, dir. Nicholas Ray (Santana Pictures).
The Killers. 1946, dir. Robert Siodmak (Mark Hellinger Productions).
Kiss Me Deadly. 1955, dir. Robert Aldrich (Parklane Pictures).
The Last House on the Left. 1972, dir. Wes Craven (Sean S. Cunningham Films; The Night Co.; Lobster Enterprises).
Last Seduction. 1994, dir. John Dahl (ITC).
Laura. 1944, dir. Otto Preminger (Twentieth Century Fox).
Mulholland Falls. 1996, dir. Lee Tamahori (Largo Entertainment; MGM; Polygram).
Out of the Past. 1947, dir. Jacques Tourneur (RKO).
The Phantom Carriage. 1921, dir. Victor Sjöström (Svensk Filmindustri).
The Reckless Moment. 1949, dir. Max Ophüls (Walter Wanger Productions).
The Shining. 1980, dir. Stanley Kubrick (Warner Bros.; Hawk Films, Peregrine).
The Silence of the Lambs. 1991, dir. Jonathan Demme (Strong Heart/ Demme Production; Orion).
The Texas Chainsaw Massacre. 1974, dir. Tobe Hooper (Vortex).
Thelma & Louise, 1991, dir. Ridley Scott (Pathé Entertainment; Percy Main).