Boyer, H. Patsy, 1995. ‘Toward a Baroque Reading of “El verdugo de su esposa”’, in María de Zayas The Dynamics of Discourse, ed. Amy R. Williamson and Judith A. Whitenack (Madison, NJ: Fairleigh Dickinson University Press), pp. 52–71.
Toward a Baroque Reading of “El verdugo de su esposa”
María de Zayas The Dynamics of Discourse
52
71
Brownlee, Marina, 2000. The Cultural Labyrinth of María de Zayas (Philadelphia: University of Pennsylvania Press).
The Cultural Labyrinth of María de Zayas
Casado, Antonio Quiros, 1988. ‘El tema del desengaño en el pensamiento barroco hispano’, in Actas del V Seminario de Historia de la Filosofia Española, ed. Antonio Heredia Soriano (Salamanca: Ediciones Universidad de Salamanca), pp. 565–95.
El tema del desengaño en el pensamiento barroco hispano
Actas del V Seminario de Historia de la Filosofia Española
565
95
Cascardi, Anthony, 1992. The Subject of Modernity (Cambridge: Cambridge University Press).
The Subject of Modernity
Cascardi, Anthony, 2006. ‘The Genealogy of the Sublime in the Aesthetics of the Spanish Baroque’, in Reason and Its Others: Italy, Spain and the New World, ed. David Castillo and Massimo Lollini (Nashville, TN: Vanderbilt University Press), pp. 221–42.
The Genealogy of the Sublime in the Aesthetics of the Spanish Baroque
Reason and Its Others: Italy, Spain and the New World
221
42
Castillo, David, 2010. Baroque Horrors: Roots of the Fantastic in the Age of Curiosities (Ann Arbor: University of Michigan Press).
Baroque Horrors: Roots of the Fantastic in the Age of Curiosities
Cervantes, Miguel de, 1978. El ingenioso hidalgo Don Quijote de la Mancha, ed. Luis Andrés Murillo (Madrid: Castalia).
El ingenioso hidalgo Don Quijote de la Mancha
Covarrubias Orozco, Sebastian de (ed.), 1611. Tesoro de la lengua castellana o española (Madrid: Luis Sanchez). Available at: >http://bib.us.es/> [accessed 18 July 2018].
Enríquez de Salamanca, Cristina, 1995. ‘Irony, Parody, and the Grotesque in a Baroque Novella: “Tarde llega el desengaño”’, in María de Zayas The Dynamics of Discourse, ed. Amy R. Williamson and Judith A. Whitenack (Madison, NJ: Fairleigh Dickinson University Press), pp. 234–53.
Irony, Parody, and the Grotesque in a Baroque Novella: “Tarde llega el desengaño”
María de Zayas The Dynamics of Discourse
234
53
Fuchs, Barbara, 2002. Passing for Spain: Cervantes and the Fictions of Identity (Baltimore, MD: University of Illinois Press).
Passing for Spain: Cervantes and the Fictions of Identity
Fuchs, Barbara, 2011. Exotic Nation: Maurophilia and the Construction of Early Modern Spain (Philadelphia, PA: University of Pennsylvania Press).
Exotic Nation: Maurophilia and the Construction of Early Modern Spain
Greer, Margaret, 2000. María de Zayas Tells Baroque Tales of Love and the Cruelty of Men (University Park, PA: Penn State University Press).
María de Zayas Tells Baroque Tales of Love and the Cruelty of Men
Herzog, Tamar, 2003. Defining Nations: Immigrants and Citizens in Early Modern Spain and Spanish America (New Haven, CT: Yale University Press).
Defining Nations: Immigrants and Citizens in Early Modern Spain and Spanish America
Martínez Góngora, Mar, 2007. ‘Dinero, espacio urbano y movilidad social en las novelas de María de Zayas’, Revista de Estudios Hispánicos, 41.2: 237–57.
Dinero, espacio urbano y movilidad social en las novelas de María de Zayas
Revista de Estudios Hispánicos
41
237
57
Meyer-Minnemann, Klaus, 2007. ‘La poética cervantina de la admiración y la aventura de la Cueva de Montesinos’, Romanistisches Jahrbuch, 58: 390–411.
La poética cervantina de la admiración y la aventura de la Cueva de Montesinos
Romanistisches Jahrbuch
58
390
411
Mihaly, Deanna, 1999. ‘Socially Constructed, Essentially Other: Servants and Slaves in María de Zayas’ Desengaños Amorosos ’, Romance Languages Annual, 10: 719–25.
Socially Constructed, Essentially Other: Servants and Slaves in María de Zayas
Desengaños Amorosos
10
719
25
O’Brien, Eavan, 2010. Women in the Prose of María de Zayas (Woodbridge, UK: Tamesis Press).
Women in the Prose of María de Zayas
Parker-Aronson, Stacey, 2005. ‘Monstrous Metamorphoses and Rape in María de Zayas’, Revista Canadiense de Estudios Hispánicos, 29.3: 525–47.
Monstrous Metamorphoses and Rape in María de Zayas
Revista Canadiense de Estudios Hispánicos
29
525
47
Rhodes, Elizabeth, 2011. Dressed to Kill: Death and Meaning in Zayas’ Desengaños (Toronto: University of Toronto Press).
Dressed to Kill: Death and Meaning in Zayas’ Desengaños
Riley, Edward C., 1963. ‘Aspectos del concepto de admiratio en la teoría literaria del siglo de oro’, in Studia philologica: homenaje ofrecido a Dámaso Alonso. Vol. 3 (Madrid: Editorial Gredos), pp. 173–83.
Aspectos del concepto de admiratio en la teoría literaria del siglo de oro
Studia philologica: homenaje ofrecido a Dámaso Alonso
3
173
83
Robbins, Jeremy, 1998. The Challenges of Uncertainty: An Introduction to Seventeenth-Century Spanish Literature (Lanham, MD: Rowman and Littlefield).
The Challenges of Uncertainty: An Introduction to Seventeenth-Century Spanish Literature
Urbina, Eduardo, 1989. ‘Admiratio y lo grotesco en el Quijote’, Cervantes: Bulletin of the Cervantes Society of America, 9.1: 17–33.
Admiratio y lo grotesco en el Quijote
Cervantes: Bulletin of the Cervantes Society of America
9
17
33
Vollendorf, Lisa, 2001. Reclaiming the Body: María de Zayas’s Early Modern Feminism. North Carolina Studies in the Romance Languages and Literatures (Chapel Hill, NC: UNC).
Reclaiming the Body: María de Zayas’s Early Modern Feminism
Zayas, María de, 1983. Desengaños amorosos, ed. Alicia Yllera. Letras Hispánicas (Madrid: Catedra).
Desengaños amorosos
Zayas, María de, 2009. Exemplary Tales of Love and Tales of Disillusion, ed. and trans. Margaret R. Greer and Elizabeth Rhodes (Chicago, IL.: University of Chicago Press).
Exemplary Tales of Love and Tales of Disillusion
Boyer, H. Patsy, 1995. ‘Toward a Baroque Reading of “El verdugo de su esposa”’, in María de Zayas The Dynamics of Discourse, ed. Amy R. Williamson and Judith A. Whitenack (Madison, NJ: Fairleigh Dickinson University Press), pp. 52–71.
Toward a Baroque Reading of “El verdugo de su esposa”
María de Zayas The Dynamics of Discourse
52
71
Brownlee, Marina, 2000. The Cultural Labyrinth of María de Zayas (Philadelphia: University of Pennsylvania Press).
The Cultural Labyrinth of María de Zayas
Casado, Antonio Quiros, 1988. ‘El tema del desengaño en el pensamiento barroco hispano’, in Actas del V Seminario de Historia de la Filosofia Española, ed. Antonio Heredia Soriano (Salamanca: Ediciones Universidad de Salamanca), pp. 565–95.
El tema del desengaño en el pensamiento barroco hispano
Actas del V Seminario de Historia de la Filosofia Española
565
95
Cascardi, Anthony, 1992. The Subject of Modernity (Cambridge: Cambridge University Press).
The Subject of Modernity
Cascardi, Anthony, 2006. ‘The Genealogy of the Sublime in the Aesthetics of the Spanish Baroque’, in Reason and Its Others: Italy, Spain and the New World, ed. David Castillo and Massimo Lollini (Nashville, TN: Vanderbilt University Press), pp. 221–42.
The Genealogy of the Sublime in the Aesthetics of the Spanish Baroque
Reason and Its Others: Italy, Spain and the New World
221
42
Castillo, David, 2010. Baroque Horrors: Roots of the Fantastic in the Age of Curiosities (Ann Arbor: University of Michigan Press).
Baroque Horrors: Roots of the Fantastic in the Age of Curiosities
Cervantes, Miguel de, 1978. El ingenioso hidalgo Don Quijote de la Mancha, ed. Luis Andrés Murillo (Madrid: Castalia).
El ingenioso hidalgo Don Quijote de la Mancha
Covarrubias Orozco, Sebastian de (ed.), 1611. Tesoro de la lengua castellana o española (Madrid: Luis Sanchez). Available at: >http://bib.us.es/> [accessed 18 July 2018].
Enríquez de Salamanca, Cristina, 1995. ‘Irony, Parody, and the Grotesque in a Baroque Novella: “Tarde llega el desengaño”’, in María de Zayas The Dynamics of Discourse, ed. Amy R. Williamson and Judith A. Whitenack (Madison, NJ: Fairleigh Dickinson University Press), pp. 234–53.
Irony, Parody, and the Grotesque in a Baroque Novella: “Tarde llega el desengaño”
María de Zayas The Dynamics of Discourse
234
53
Fuchs, Barbara, 2002. Passing for Spain: Cervantes and the Fictions of Identity (Baltimore, MD: University of Illinois Press).
Passing for Spain: Cervantes and the Fictions of Identity
Fuchs, Barbara, 2011. Exotic Nation: Maurophilia and the Construction of Early Modern Spain (Philadelphia, PA: University of Pennsylvania Press).
Exotic Nation: Maurophilia and the Construction of Early Modern Spain
Greer, Margaret, 2000. María de Zayas Tells Baroque Tales of Love and the Cruelty of Men (University Park, PA: Penn State University Press).
María de Zayas Tells Baroque Tales of Love and the Cruelty of Men
Herzog, Tamar, 2003. Defining Nations: Immigrants and Citizens in Early Modern Spain and Spanish America (New Haven, CT: Yale University Press).
Defining Nations: Immigrants and Citizens in Early Modern Spain and Spanish America
Martínez Góngora, Mar, 2007. ‘Dinero, espacio urbano y movilidad social en las novelas de María de Zayas’, Revista de Estudios Hispánicos, 41.2: 237–57.
Dinero, espacio urbano y movilidad social en las novelas de María de Zayas
Revista de Estudios Hispánicos
41
237
57
Meyer-Minnemann, Klaus, 2007. ‘La poética cervantina de la admiración y la aventura de la Cueva de Montesinos’, Romanistisches Jahrbuch, 58: 390–411.
La poética cervantina de la admiración y la aventura de la Cueva de Montesinos
Romanistisches Jahrbuch
58
390
411
Mihaly, Deanna, 1999. ‘Socially Constructed, Essentially Other: Servants and Slaves in María de Zayas’ Desengaños Amorosos ’, Romance Languages Annual, 10: 719–25.
Socially Constructed, Essentially Other: Servants and Slaves in María de Zayas
Desengaños Amorosos
10
719
25
O’Brien, Eavan, 2010. Women in the Prose of María de Zayas (Woodbridge, UK: Tamesis Press).
Women in the Prose of María de Zayas
Parker-Aronson, Stacey, 2005. ‘Monstrous Metamorphoses and Rape in María de Zayas’, Revista Canadiense de Estudios Hispánicos, 29.3: 525–47.
Monstrous Metamorphoses and Rape in María de Zayas
Revista Canadiense de Estudios Hispánicos
29
525
47
Rhodes, Elizabeth, 2011. Dressed to Kill: Death and Meaning in Zayas’ Desengaños (Toronto: University of Toronto Press).
Dressed to Kill: Death and Meaning in Zayas’ Desengaños
Riley, Edward C., 1963. ‘Aspectos del concepto de admiratio en la teoría literaria del siglo de oro’, in Studia philologica: homenaje ofrecido a Dámaso Alonso. Vol. 3 (Madrid: Editorial Gredos), pp. 173–83.
Aspectos del concepto de admiratio en la teoría literaria del siglo de oro
Studia philologica: homenaje ofrecido a Dámaso Alonso
3
173
83
Robbins, Jeremy, 1998. The Challenges of Uncertainty: An Introduction to Seventeenth-Century Spanish Literature (Lanham, MD: Rowman and Littlefield).
The Challenges of Uncertainty: An Introduction to Seventeenth-Century Spanish Literature
Urbina, Eduardo, 1989. ‘Admiratio y lo grotesco en el Quijote’, Cervantes: Bulletin of the Cervantes Society of America, 9.1: 17–33.
Admiratio y lo grotesco en el Quijote
Cervantes: Bulletin of the Cervantes Society of America
9
17
33
Vollendorf, Lisa, 2001. Reclaiming the Body: María de Zayas’s Early Modern Feminism. North Carolina Studies in the Romance Languages and Literatures (Chapel Hill, NC: UNC).
Reclaiming the Body: María de Zayas’s Early Modern Feminism
Zayas, María de, 1983. Desengaños amorosos, ed. Alicia Yllera. Letras Hispánicas (Madrid: Catedra).
Desengaños amorosos
Zayas, María de, 2009. Exemplary Tales of Love and Tales of Disillusion, ed. and trans. Margaret R. Greer and Elizabeth Rhodes (Chicago, IL.: University of Chicago Press).
Exemplary Tales of Love and Tales of Disillusion