The Abbe Prevost's First-Person Narrators

R.A. Francis

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ISBN: 9780729404488

Publication: January 1, 1993

Series: Oxford University Studies in the Enlightenment 306

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Amidst a revival of interest in the novels of the abbé Prévost, this study addresses some of the interpretive issues that are being raised concerning his work, namely what intellectual, moral and aesthetic meaning should we seek in works that were designed as entertainments, and should we persist in rating Manon Lescaut more highly than the rest of Prévost’s output? 

The narrative strategies and types of distortion inherent in each of Prévost’s narrators are examined. More general observations are made on the mechanics of Prévost’s narration such as the deceptive rhetorical devices of juxtaposing different accounts of the same event by two or more narrators and the use of the double registre or separation of narrator from protagonist. Other aspects of Prévost’s fictional technique are considered – for example, the extent to which he drew upon contemporary traditions in the novel. 

Another important theme is the relationship between Prévost’s fictional world and the real world in which topics such as other-portrayal and the handing of time reflect the degree of unreliability of the narrator’s vision. Parallel episodes and interpolations are also used to illuminate subtly the work’s central themes. 

The latter part of this study is dedicated to the moral dilemmas raised in Prévost’s work in which the world – and the author’s heroes – appear to be governed by three complex and often conflicting codes of behaviour – those of religion, honour, and ‘love’ or ‘sensibility’. In particular, the problems of women are represented as well as the failure of the heroic ideal amongst the aristocracy. In religious matters, Prévost is revealed as a man of tolerance, ultimately concerned with human nature. 

The Prévost who emerges from this study combines a high degree of technical mastery with a serious moral interest in the human heart. His demystification of the ideal of heroism and his fragmented vision of the human personality are likely to appeal to the modern reader. The powerful dramatisation of moral conflict, familiar in Manon Lescaut, is indeed to be found throughout his work. 

Acknowledgements

Introduction 

I. Prévost’s narrators 

1. Mémoires d’un homme de qualité 

2. Cleveland 

3. Le Doyen de Killerine 

4. The novels of 1740 

5. The late novels 

6. Interpreting the narrator 

II. Narrative techniques 

7. Generic factors 

8. The observed world 

9. Interpolations and parallels 

III. Value systems in conflict 

A. The code of sensibility 

10. The man of emotion 

11. The legitimacy of love 

12. The perils of love 

13. The decline of an ideal 

14. Women in Prévost’s novels 

B. The code of honour 

15. The ideal gentleman 

16. The ideal and the reality 

17. Worldliness 

18. Man in society 

C. The code of religion 

19. The religious life 

20. Providence 

21. The hierarchy of orders 

Conclusion 

Bibliography 

Index 

Format: Hardback

Size: 239 × 163 mm

362 Pages

Copyright: © 1993

ISBN: 9780729404488

Publication: January 1, 1993

Series: Oxford University Studies in the Enlightenment 306

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