Iconoclasm in Revolutionary Paris
the Transformation of Signs
Drawing on extensive archival evidence to uncover a variety of iconoclastic acts – from the beheading or defacing of sculptures, to the smashing of busts, slashing of paintings and toppling of statues – Clay explores the turbulent political undercurrents in revolutionary Paris. Objects whose physical integrity had been respected for years were now targets for attack: while many revolutionary leaders believed that the aesthetic or historical value of symbols should save them from destruction, Clay argues that few Parisians shared such views. He suggests that beneath this treatment of representational objects lay a sophisticated understanding of the power of public spaces and symbols to convey meaning. Unofficial iconoclasm became a means of exerting influence over government policy, leading to official programmes of systematic iconoclasm that transformed Paris.
Iconoclasm in revolutionary Paris is not only a major contribution to the historiography of so-called ‘vandalism’ during the Revolution, but it also has significant implications for debates about heritage preservation in our own time.
1. Iconoclasm as sign transformation: the Parisian Revolution of 1789
2. Catholicism and iconoclasm in Paris, 1789-1790
3. Iconoclasm in Paris in 1791
4. Iconoclasm in Paris in 1792
5. Iconoclasm in Paris, 1793-1795
Meticulously researched and powerfully argued, this is a significant contribution to our understanding of iconoclasm at one of its most crucial historitical junctures.
- French studies
Size: 234 × 156 × 20 mm
Copyright: © 2012
Publication: November 6, 2012
Series: Oxford University Studies in the Enlightenment 2012:11