Art, Production and the Subject in the 21st Century
Edited by Angela Dimitrakaki and Kirsten Lloyd
Angela Dimitrakaki is Senior Lecturer in Contemporary Art History and Theory at the University of Edinburgh.
Kirsten Lloyd is Teaching Fellow in History of Art at the University of Edinburgh and Associate Curator at Stills, Edinburgh.
Acknowledgements List of Illustrations Contributors INTRODUCTION ‘The Last Instance’: The Apparent Economy, Social Struggles and Art in Global Capitalism Angela Dimitrakaki and Kirsten Lloyd PART 1: PRODUCTION 1. Art as Property Andrea Phillips 2. Art and the Problem of Immaterial Labour: Reflections on Its Recent History John Roberts 3. Indifferent Agent: Speculation as a Mode of Production in Art and Capital Marina Vishmidt 4. Women’s Lives, Labour, Contracts, Documents: The Biopolitical Tactics of Feminist Art, Act Two and a Half Angela Dimitrakaki 5. Seeing Socialism: On the Aesthetics of the Economy, Production and the Plan Alberto Toscano PART 2: SUBJECTS 6. DIWY: Precarity in Embodied Capitalism Vassilis Tsianos and Dimitris Papadopoulos 7. Being with, across, over and through: Art’s Caring Subjects, Ethics Debates and Encounters Kirsten Lloyd 8. The Long Working Hours of Normal Love Renate Lorenz 9. Occupy the Art World? Notes on a Potential Artistic Subject Gregory Sholette 10. (Re)Making the World: An Interview with Melanie Gilligan on Capitalist Exchange, Subject Formation and ‘Social Synthesis’ Angela Dimitrakaki and Kirsten Lloyd 11. Economy, Capital and the Commons Massimo de Angelis Index
Fascinating, extremely well-written and absorbing - this book targets effectively today's urgent debates.
Esther Leslie Birkbeck, University of London
Size: 239 x 163 mm
Publication: April 1, 2015
Series: Value: Art: Politics 11