Art and Industry in the Enlightenment
Caroline Archer-Parré and Malcolm Dick
Caroline Archer-Parré is Professor of Typography at Birmingham City University, Director of the Centre for Printing History & Culture and Chairman of the Baskerville Society. She is the author of The Kynoch Press, 1876-1982: the anatomy of a printing house, (British Library, 2000); Paris Underground (MBP, 2004); and Tart cards: London’s illicit advertising art (MBP, 2003). Caroline is currently Co-investigator on the AHRC-funded project, ‘Letterpress Printing: past, present, future’.
Malcolm Dick is Director of the Centre for West Midlands History at the University of Birmingham. He directed two history projects in Birmingham between 2000 and 2004: the Millennibrum Project, which created a multi-media archive of post-1945 Birmingham history and Revolutionary Players which produced an online resource of the history of the West Midlands region. Malcolm has published books on Joseph Priestley, Matthew Boulton and the history of Birmingham and co-directs the Centre for Printing History & Culture.
'A fascinating account of the printer, type designer, and manufacturer, John Baskerville, which sheds new light on the history of this polymathic figure. Focusing on previously unexplored details of his personal life, the book explores his contribution to fields beyond printing, and his relationship with the broader technologies and ideas of Enlightenment Birmingham.'
Dr Freya Gowrley, University of Edinburgh
Size: 239 x 163 mm
32 B&W illustrations
Publication: December 31, 2017
Series: Eighteenth-Century Worlds 7