MenuLiverpool University Press

• Williamson, J. G.

Liverpool Music Symposium, 3

2005

eBook

• Mann, Joseph Arthur

Clemson University Press: Studies in British Musical Cultures

2020

eBook

• Winters, Ben

(2008), 2, (1), 3–25.

• Cohen, Sara
• Kronenburg, Robert

Historic England

2018

Paperback

• Heldt, Guido

(2009), 3, (1), 21–46.

• Warne, Chris

(2011), 36, (1-2), 65–80.

• Dubowsky, Jack

(2014), 8, (1), 25–56.

Boundaries and Creative Openings

• Kristensen, Tore
• Michelsen, Anders
• Wiegand, Frauke

2013

Hardback

Hermeneutic Pliability and Multiplying Gaps in Andrei Tarkovsky's Solaris

• Pontara, Tobias

(2014), 8, (1), 1–23.

Lady Composer

• Brister, Wanda
• Rosenblatt, Jay

Clemson University Press

2020

eBook

• KORSGAARD, MATHIAS BONDE

(2019), 13, (2), 209–230.

• Åberg, Kai

(2008), 18, (1), 71–91.

A Guide to Research

• Dressler, John C.

Clemson University Press

2020

Hardback

Towards a Cultural Understanding of the Film Music Audience

• Anderson, Lauren

(2016), 10, (1), 25–51.

Musical Miscellany and Cultural Identity in Early Eighteenth-Century England

• DeSimone, Alison

Clemson University Press: Studies in British Musical Cultures

2021

Hardback

Liverpool, Popular Music and the Changing City

• Leonard, Marion
• Strachan, Rob

National Museums Liverpool

2010

Paperback

Categories and Stereotypes in Library Music Catalogues

• DURAND, JÚLIA

(2020), 14, (1), 23–45.

The Music and Ethics of Transnational Fiction

• Lachman, Kathryn

2014

eBook

Marked and Unmarked Instruments, and Musical Hierarchies in Proteus (2003)

• Letcher, Christopher

(2016), 10, (1), 53–76.

Music, Empathy, and Escape in Lars von Trier’s Breaking the Waves

• CIZMIC, MARIA

(2015), 9, (1), 1–32.