(1966), 40, (1), 9–14.

• Tasker, Yvonne

(2019), 12, (1), 9–28.

(1966), 40, (1), 9–14.

Dragonlance and the Privatization of Genre

• Robertson, Benjamin J.

(2017), 58, (2-3), 129–152.

• Prévos, André J. M.

(1998), 22, (1), 71–88.

Songs and their significance in The Hunger Games

• Fitzgerald, Jon
• Hayward, Philip

(2015), 8, (1), 75–89.

• Ugolini, Laura

(2002), 67, (2), 149–169.

• Webb, Val

(2022), 63, (2), 162–168.

‘The Co-operative Commonwealth Is the Only Answer to the Fascist Empire’: Support for Republican Spain Within the British Co-operative Movement, 1936–1939

• Mason, Emily

(2017), 82, (3), 189–213.

• Vivant, Elsa

(2011), 82, (1), 99–115.

Space Battleship Yamato and SF anime

• Posadas, Baryon

(2014), 7, (3), 315–342.

• Hassler-Forest, Dan

(-0001), 9, (3), 371–391.

• Belchem, John

(2021), 170, (1), 53–67.

• Hogan, Michael

(1997), 72, (1), 123–148.

• Collinson, Marc

(2021), 170, (1), 7–14.

• Ransom, Amy

(2015), 8, (1), 1–27.

Female astronauts and technology in Star Trek: Discovery and National Geographic's Mars

• Keeler, Amanda

(2019), 12, (1), 127–150.

• Gorder, Erika B.

(2018), 2018, (1-2), 47–56.

Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru

• Lambright, Anne

Liverpool Latin American Studies, 14

November 24th, 2015

eBook

Music and Sound in Comedy Trailers

• Deaville, James
• Malkinson, Agnes

(2014), 8, (2), 121–140.