Resisting Regulatory Efforts by Inscribing Art as Political Practice

• Reid, Jenna
• Snyder, Sarah N.
• Voronka, Jijian
• Landry, Danielle
• Church, Kathryn

(2019), 13, (3), 255–271.

• Sleeman, Joy

(2012), 21, (2), 63–74.

• Hastings, Tom

(2021), 30, (3), 345–360.

Disguise and recognition in Nelly Richard’s Avanzada

• Vodanovic, Lucia

(2015), 15, (2), 94–108.

• Kleege, Georgina

(2010), 4, (1), 1–16.

• Yuval-Hacham, Noa

(-0001), 15, (1), 1–14.

• Moriarty, Catherine

(2015), 24, (2), 229–248.

• Jaccomard, Helene

(2012), 49, (2), 183–195.

• Quance, Roberta

(2013), 90, (7), 803–818.

• Child, Danielle

(2015), 24, (3), 375–390.

Lawrence Alloway’s Cultural Criticism

• Whiteley, Nigel

Value: Art: Politics, 6

August 3rd, 2012

eBook

• Sutherland, John

(2006), 25, (1), 7–8.

• Dearnley, Joan

(2015), 33, (2), 0

• Pöpper, Thomas

(2016), 25, (1), 29–44.

• Deutsch, David

(2015), 52, (1), 73–86.

• Barreiro López, Paula

Value: Art: Politics, 12

January 23rd, 2017

Hardback

• Krypczyk-De Barra, Aleksandra

(2020), 16, (1), 51–67.

New Institutions in the Political Economy of Contemporary Art

• Harris, Jonathan

Tate Liverpool Critical Forum, 7

November 1st, 2004

Hardback

• Mintz, Susannah

(2012), 6, (1), 1–16.

• Morris, Edward

June 1st, 1994

Paperback